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FINGERPRINTS OF THE GODS

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

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1
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16
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18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
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F
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-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
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Q
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X
Y
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1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
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I
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U
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W
X
Y
Z

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

 

26
A
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O
P
Q
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U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
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D
E
F
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O
P
Q
R
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X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
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E
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N
O
P
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R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
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K
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M
N
O
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Q
R
S
T
U
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W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
9
MULTIPLED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
57
First Total
995
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+7
Add to Reduce
9+9+5
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
12
Second Total
23
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+2
Reduce to Deduce
2+3
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

EVOLVE LOVE EVOLVE

LOVE SOLVES LOVE

EVOLVE LOVE EVOLVE

 

 

 

 

Y
=
3
-
3
YOU
61
16
7
A
=
1
-
3
ARE
24
15
6
G
=
7
-
5
GOING
52
34
7
O
=
6
-
2
ON
29
11
2
A
=
1
-
1
A
1
1
1
J
=
1
-
7
JOURNEY
108
36
9
A
=
1
-
1
A
1
1
1
V
=
4
-
4
VERY
70
25
7
S
=
1
-
7
SPECIAL
65
29
2
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
H
=
8
-
4
HAVE
36
18
9
A
=
1
-
1
A
1
1
1
P
=
7
-
8
PLEASANT
88
25
7
J
=
1
-
7
JOURNEY
108
36
9
D
=
4
-
2
DO
19
10
1
``-
-
55
-
54
First Total
790
304
79
-
-
5+5
-
5+4
Add to Reduce
7+9+0
3+0+4
7+9
-
-
10
-
9
Second Total
16
7
16
-
-
1+0
-
-
Reduce to Deduce
1+6
-
1+6
-
-
1
-
9
Essence of Number
7
7
7

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

"The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

THE JESUS MYSTERIES

Timothy Freke & Peter Gandy

1999

Page 177

THE GOSPELS ARE ACTUALLY ANONYMOUS WORKS, IN WHICH EVERYTHING WITHOUT EXCEPTION, IS WRITTEN IN CAPITAL LETTERS, WITH NO PUNCTUATION OR SPACES BETWEEN WORDS.

 

 

CITY OF REVELATION

John Michell 1972

"The great alchemists, whose ultimate aspiration was to procure the birth of a divinity among men found it necessary first to invoke within themselves the spirit they wished to share with others. In the same tradition Plato wrote that the man who aquires the art of stereometry, the likening of unlike things which is function of the canon, sanctifies not only himself but also the city and the age in which he lives. The thought behind these various expressions was that the state of a society is determined by the individuals who comprise it; that the cosmic influences are manifest on earth through the medium of the human mind, and this is the instrument by which they may be controlled and held in balance. For the instument to be effective, it requires that the individual become aware of the current influences to which he is subject, and to this end the canon was devised; for by analogy with the dynamics of geometrical and numerological relationships, the world of phenomena is revealed as the product of archetyple forces, whose behaviour in any circumstances is predicatable once the nature is understood."

"the art of stereometry, the likening of unlike things"

 

THE ART OF STEREOMETRY

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
S
=
1
-
1
S
19
10
1
T
=
2
-
1
T
20
2
2
E
=
5
-
1
E
5
5
5
R
=
9
-
1
R
18
9
9
E
=
5
-
1
E
5
5
5
O
=
6
-
1
O
15
6
6
M
=
4
-
1
M
13
4
4
E
=
5
-
1
E
5
5
5
T
=
2
-
1
T
20
2
2
R
=
9
-
1
R
18
9
9
Y
=
7
-
1
Y
25
7
7
-
-
44
-
11
STEREOMETRY
163
64
55
-
-
4+4
-
1+1
-
1+6+3
6+4
5+5
-
-
4
-
2
STEREOMETRY
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
4
-
2
STEREOMETRY
1
1
1

 

 

THE ART OF STEREOMETRY

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
A
=
1
-
3
ART
39
12
3
O
=
6
-
2
OF
21
12
3
S
=
1
-
11
STEREOMETRY
163
54
1
-
-
10
-
19
Add to Reduce
256
94
13
-
-
1+0
-
1+9
First Total
2+5+6
9+4
1+3
-
-
1
-
10
Reduce to Deduce
13
13
4
-
-
-
-
1+0
Second Total
1+3
1+3
-
-
-
1
-
1
Essence of Number
4
4
4

 

 

THE LIKENING OF UNLIKE THINGS

 

-
-
-
-
-
STEREOMETRY
-
-
-
T
=
2
-
3
THE
33
15
6
L
=
3
-
8
LIKENING
81
45
9
O
=
6
-
2
OF
21
12
3
U
=
3
-
6
UNLIKE
72
27
9
T
=
2
-
6
THINGS
77
32
5
-
-
16
-
25
Add to Reduce
284
131
32
-
-
1+6
-
2+5
First Total
2+8+4
1+3+1
3+2
-
-
7
-
7
Reduce to Deduce
14
5
5
-
-
-
-
-
Second Total
1+4
-
-
-
-
7
-
7
Essence of Number
5
5
5

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
3
ART
39
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
11
STEREOMETRY
163
54
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
-
-
5
-
-
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
2
9
4
5
12
7
8
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
-
-
1+2
-
-
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
2
9
4
5
3
7
8
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
1
2
3
5
6
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
6
-
A
=
1
-
3
ART
39
12
3
-
-
-
3
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
S
=
1
-
11
STEREOMETRY
163
54
1
-
1
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
6
-
L
=
3
-
8
LIKENING
81
45
9
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
U
=
3
-
6
UNLIKE
72
27
9
-
-
-
-
-
-
9
T
=
2
-
6
THINGS
77
32
5
-
-
-
-
5
-
-
-
-
26
-
44
Add to Reduce
540
225
45
-
1
2
9
5
12
18
-
-
2+6
-
4+4
Reduce to Deduce
5+4+0
2+2+5
4+5
-
-
-
-
-
1+2
1+8
-
-
8
-
8
Essence of Number
9
9
9
-
1
2
9
5
3
9

 

 

-
-
-
-
-
STEREOMETRY
-
-
-
-
-
-
-
-
STERO R METRY
-
-
-
R
=
9
-
3
RESTORE
100
37
1
M
=
4
-
2
ME
18
9
9
T
=
2
-
6
TRY
63
18
9
-
-
15
-
11
Add to Reduce
181
64
19
-
-
1+5
-
1+1
First Total
1+8+1
6+4
1+9
-
-
6
-
2
Reduce to Deduce
10
10
10
-
-
-
-
-
Second Total
1+0
1+0
1+0
-
-
6
-
2
Essence of Number
1
1
1

 

 

THE

LOST LANGUAGE OF SYMBOLISM

AN ENQUIRY INTO THE ORIGIN OF CERTAIN

LETTERS, WORDS, NAMES, FAIRY-TALES, FOLK-LORE AND MYTHOLOGIES

Harold Bayley 1912

"The Hebrew for man is ish and for woman isha."

Page 300

"Each language, whether Sanscrit or Zulu, is like a palimpsest, which, if carefully handled, will disclose the original text beneath the superficial writing, and though that original text may be more difficult to recover in illiterate languages, yet it is there nevertheless. Every language, if properly summoned, will reveal to us the mind of the artist who framed it, from its earliest awakening to its latest dreams. Everyone will teach us the same lesson, the lesson on which the whole Science of Thought is based, that there is no language without reason, as there is no reason with.out language."1 An analysis of the several terms for man, soul, or spirit reveals the time-honoured belief that the human race emerged in its infancy from the Great Light, and that every human soul was a spark or fragment of the Ever­Existent Oversoul. The Egyptian for man was se, the German for soul is seele - cognate with Selah! - and meaning likewise the "Light of the Everlasting." The Dutch for soul is ziel, the fiery light of God, and the English soul was once presumably is ol, the essence or light of God.2 The Hebrew for man is ish and for woman isha.

 

SELAH HALES

 

 

THE

LOST LANGUAGE OF SYMBOLISM

Harold Bayley 1912

Page 300

The Latin homo is OM, the Sun, as also is the French homme ; and dme, the French for soul, is apparently the Hindoo AUM. The ancient Mexicans traced their descent from an ancestor named Coxcox, i.e. ack ock se, ack ock se, the "Great Great Light, the Great Great Light." 8 The Teutons claim to have descended from TIU or TUISCO, an Aryan God of Light, and the name TUISCO may be restored into tu is ack O , the "brilliant light of the Great O."

Page 300 Notes

1 Biographieses of Words, Intro.
2 We may see similar vowel erosion going on at the present day, and the word cute will soon take its place in the dictionaries in addition to acute, its proper form.
3 This doubling of a title is a world-wide commonplace, similar to our " King of Kings and Lord of Lords, Very God of Very God."

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."

 

THE TRUE DEATH ON THE CROSS THE TRUE AT ONE MENT

 

 

ATONEMENT

 

-
-
-
-
A
-
-
-
-
-
-
-
-
T
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
N
-
-
-
-
A
T
O
N
E
M
E
N
T
-
-
-
-
M
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
N
-
-
-
-
-
-
-
-
T
-
-
-
-

 

 

CRUCIFIXION

 

-
-
-
-
-
C
-
-
-
-
-
-
-
-
-
-
R
-
-
-
-
-
-
-
-
-
-
U
-
-
-
-
-
-
-
-
-
-
C
-
-
-
-
-
-
-
-
-
-
I
-
-
-
-
-
C
R
U
C
I
F
I
X
I
O
N
-
-
-
-
-
I
-
-
-
-
-
-
-
-
-
-
X
-
-
-
-
-
-
-
-
-
-
I
-
-
-
-
-
-
-
-
-
-
O
-
-
-
-
-
-
-
-
-
-
N
-
-
-
-
-

 

 

CRUCIFIED

 

-
-
-
-
C
-
-
-
-
-
-
-
-
R
-
-
-
-
-
-
-
-
U
-
-
-
-
-
-
-
-
C
-
-
-
-
C
R
U
C
I
F
I
E
D
-
-
-
-
F
-
-
-
-
-
-
-
-
I
-
-
-
-
-
-
-
-
E
-
-
-
-
-
-
-
-
D
-
-
-
-

 

 

HOLY BIBLE

Scofield References

Page 1117 A.D. 30.

Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He
cannot see the kingdom of God.
St  John  C
hapter   3  verse  3
3     +     3     3     x     3
6        x        9
54
5 + 4

9

 

 

IN SEARCH OF THE MIRACULOUS

Fragments of an Unknown Teaching

P.D.Oupensky 1878-1947

Page 217

'A man may be born, but in order to be born he must first die, and in order to die he must first awake.'
" '
When a man awakes he can die; when he dies he can be born' "

 

 

-
-
-
-
THE MAGICAL ALPHABET
-
-
-
T
=
2
3
THE
33
15
6
M
=
4
7
MAGICAL
46
28
1
A
=
1
8
ALPHABET
65
29
2
-
-
7
18
THE MAGICAL ALPHABET
144
72
9
-
-
-
1+8
-
1+4+4
7+2
-
-
-
7
9
THE MAGICAL ALPHABET
9
9
9

 

 

-
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
--
-
-
-
-
-
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
-
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
4
1
7
-
3
1
3
-
1
3
7
-
1
2
5
2
+
=
47
4+7
=
11
1+1
2
=
2
-
-
20
-
5
-
13
1
7
-
3
1
12
-
1
12
16
-
1
2
5
20
+
=
119
1+1+9
=
11
1+1
2
=
2
-
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
13
1
7
9
3
1
12
-
1
12
16
8
1
2
5
20
+
=
144
1+4+4
=
9
=
9
=
9
-
-
2
8
5
-
4
1
7
9
3
1
3
-
1
3
7
8
1
2
5
2
+
=
72
7+2
=
9
=
9
=
9
-
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
1
-
-
-
1
-
-
-
-
-
1
occurs
x
4
=
4
=
4
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
2
-
-
2
occurs
x
3
=
6
=
6
-
-
-
-
-
-
-
-
-
-
3
-
3
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
6
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
39
-
-
18
-
72
-
45
-
1+8
-
-
-
-
--
1
-
-
-
1
-
-
1
-
-
-
1
-
-
-
-
-
3+9
-
-
1+8
-
7+2
-
4+5
6
9
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
12
-
-
9
-
9
-
9
-
-
2
8
5
-
4
1
7
9
3
1
3
-
1
3
7
8
1
2
5
2
-
-
1+2
-
-
--
-
-
-
-
6
9
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
3
-
-
9
-
9
-
9

 

 

18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
-
-
8
-
-
-
-
-
9
-
-
-
-
-
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
2
-
5
-
4
1
7
-
3
1
3
-
1
3
7
-
1
2
5
2
+
=
47
4+7
=
11
1+1
2
=
2
-
20
-
5
-
13
1
7
-
3
1
12
-
1
12
16
-
1
2
5
20
+
=
119
1+1+9
=
11
1+1
2
=
2
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
20
8
5
-
13
1
7
9
3
1
12
-
1
12
16
8
1
2
5
20
+
=
144
1+4+4
=
9
=
9
=
9
-
2
8
5
-
4
1
7
9
3
1
3
-
1
3
7
8
1
2
5
2
+
=
72
7+2
=
9
=
9
=
9
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
1
-
-
-
1
-
-
-
-
-
1
occurs
x
4
=
4
=
4
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
2
-
-
2
occurs
x
3
=
6
=
6
-
-
-
-
-
-
-
-
-
3
-
3
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
18
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
39
-
-
18
-
72
-
45
1+8
-
-
-
-
--
1
-
-
-
1
-
-
1
-
-
-
1
-
-
-
-
-
3+9
-
-
1+8
-
7+2
-
4+5
9
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
12
-
-
9
-
9
-
9
-
2
8
5
-
4
1
7
9
3
1
3
-
1
3
7
8
1
2
5
2
-
-
1+2
-
-
--
-
-
-
-
9
T
H
E
-
M
A
G
I
C
A
L
-
A
L
P
H
A
B
E
T
-
-
3
-
-
9
-
9
-
9

 

 

18
T
H
E
M
A
G
I
C
A
L
A
L
P
H
A
B
E
T
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
-
-
9
-
-
-
-
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
-
-
8
-
-
-
-
9
-
-
-
-
-
-
8
-
-
-
-
+
=
25
2+5
=
7
=
7
=
7
18
T
H
E
M
A
G
I
C
A
L
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
2
-
5
4
1
7
-
3
1
3
1
3
7
-
1
2
5
2
+
=
47
4+7
=
11
1+1
2
=
2
-
20
-
5
13
1
7
-
3
1
12
1
12
16
-
1
2
5
20
+
=
119
1+1+9
=
11
1+1
2
=
2
18
T
H
E
M
A
G
I
C
A
L
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
20
8
5
13
1
7
9
3
1
12
1
12
16
8
1
2
5
20
+
=
144
1+4+4
=
9
=
9
=
9
-
2
8
5
4
1
7
9
3
1
3
1
3
7
8
1
2
5
2
+
=
72
7+2
=
9
=
9
=
9
18
T
H
E
M
A
G
I
C
A
L
A
L
P
H
A
B
E
T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
1
-
-
-
1
-
-
-
-
-
1
occurs
x
4
=
4
=
4
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
2
-
-
2
occurs
x
3
=
6
=
6
-
-
-
-
-
-
-
-
3
-
3
-
3
-
-
-
-
-
-
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
5
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
7
-
-
-
-
-
-
7
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
-
-
8
-
-
-
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
8
occurs
x
2
=
16
1+6
7
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
18
T
H
E
M
A
G
I
C
A
L
A
L
P
H
A
B
E
T
-
-
39
-
-
18
-
72
-
45
1+8
-
-
-
--
1
-
-
-
1
-
1
-
-
-
1
-
-
-
-
-
3+9
-
-
1+8
-
7+2
-
4+5
9
T
H
E
M
A
G
I
C
A
L
A
L
P
H
A
B
E
T
-
-
12
-
-
9
-
9
-
9
-
2
8
5
4
1
7
9
3
1
3
1
3
7
8
1
2
5
2
-
-
1+2
-
-
--
-
-
-
-
9
T
H
E
M
A
G
I
C
A
L
A
L
P
H
A
B
E
T
-
-
3
-
-
9
-
9
-
9

 

 

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

 

 

HALLELUJAH

 

 

 

 

 

 

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

WORK DAYS OF GOD

Herbert W Morris D.D.circa 1883

Page 22

"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."

 

"ALL THE WORDS IN THE ENGLISH LANGUAGE ARE COMPOSED OUT OF THE TWENTY SIX LETTERS OF THE ALPHABET"

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
W
=
2
-
5
WORDS
79
25
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
E
=
5
-
7
ENGLISH
74
38
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ARE
24
15
6
-
-
-
-
-
-
6
-
-
-
C
=
3
-
8
COMPOSED
90
36
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
3
OUT
56
11
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
6
TWENTY
107
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
60
-
79
First Total
936
360
99
-
1
6
6
4
10
30
21
8
18
-
-
6+0
-
7+9
Add to Reduce
9+3+6
3+6+0
9+9
-
-
-
-
-
1+0
3+0
2+1
-
1+8
-
-
6
-
16
Second Total
18
9
18
-
1
6
6
4
1
3
3
8
9
-
-
-
-
1+6
Reduce to Deduce
1+8
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
Essence of Number
9
9
9
-
1
6
6
4
1
3
3
8
9

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
Q
-
1
-
3
Essence of Number
9
9
9

 

 

"...Is there in any sense an interstellar Rosetta Stone?

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
5
THERE
56
29
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
3
ANY
40
13
4
-
-
-
-
4
-
-
-
-
-
S
=
1
-
5
SENSE
62
17
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
2
AN
15
6
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
12
INTERSTELLAR
153
54
9
-
-
-
-
-
-
-
-
-
9
R
=
9
-
7
ROSETTA
98
26
8
-
-
-
-
-
-
-
-
8
-
S
=
1
-
5
STONE
73
19
1
-
1
-
-
-
-
-
-
-
-
-
-
42
-
43
First Total
548
188
44
-
2
2
3
4
5
6
7
16
9
-
-
4+2
-
4+3
Add to Reduce
5+4+8
1+8+8
4+4
-
-
-
-
-
-
-
-
1+6
-
-
-
6
-
7
Second Total
17
17
8
-
2
2
3
4
5
6
7
7
9
-
-
-
-
-
Reduce to Deduce
1+7
1+7
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
Essence of Number
8
8
8
-
2
2
3
4
5
6
7
7
9

 

 

We believe there is a common language that all technical civilizations, no matter how different, must have.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
W
=
5
-
2
WE
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
7
BELIEVE
60
33
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
5
THERE
56
29
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
6
COMMON
73
28
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
9
TECHNICAL
75
39
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
13
CIVILIZATIONS
168
69
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
2
NO
29
11
2
-
-
2
-
-
-
-
-
-
-
M
=
4
-
6
MATTER
77
23
5
-
-
-
-
-
5
-
-
-
-
H
=
8
-
3
HOW
46
19
1
-
1
-
-
-
-
-
-
-
-
D
=
4
-
9
DIFFERENT
87
51
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
4
MUST
73
10
1
-
1
-
-
-
-
-
-
-
-
H
=
8
-
4
HAVE
36
18
9
-
-
-
-
-
-
-
-
-
9
-
-
66
-
88
First Total
979
403
61
-
6
4
3
4
10
18
7
8
9
-
-
6+6
-
8+8
Add to Reduce
9+7+9
4+0+3
6+1
-
-
-
-
-
1+0
1+8
-
-
-
-
-
12
-
16
Second Total
25
7
7
-
6
4
3
4
1
9
7
8
9
-
-
1+2
-
1+6
Reduce to Deduce
2+5
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
7
Essence of Number
7
7
7
-
6
4
3
4
1
9
7
8
9

 

 

That common language is science and mathematics.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
4
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
C
=
3
-
6
COMMON
73
28
1
-
1
-
-
-
-
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
-
5
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
-
7
SCIENCE
58
31
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
11
MATHEMATICS
112
40
4
-
-
-
-
4
-
-
-
-
-
-
-
23
-
41
First Total
407
164
20
-
3
4
3
12
5
6
7
8
9
-
-
2+3
-
4+1
Add to Reduce
4+0+7
1+6+4
2+0
-
-
-
-
1+2
-
-
-
-
-
-
-
5
-
5
Second Total
11
11
2
-
3
4
3
3
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
1+1
1+1
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
5
Essence of Number
2
2
2
-
3
4
3
3
5
6
7
8
9

 

 

The laws of Nature are the same everywhere:..."

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
4
LAWS
55
10
1
-
1
-
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
N
=
5
-
6
NATURE
79
25
7
-
-
-
-
-
-
-
7
-
-
A
=
1
-
3
ARE
23
15
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
4
SAME
38
11
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
10
EVERYWHERE
134
62
8
-
-
-
-
-
-
-
-
8
-
-
-
25
-
35
First Total
417
165
39
-
1
2
3
4
5
18
7
8
9
-
-
2+5
-
3+5
Add to Reduce
4+0+7
1+6+5
3+9
-
-
-
-
-
-
1+8
-
-
-
-
-
7
-
-
Second Total
12
12
12
-
1
2
3
4
5
9
7
8
9
-
-
-
-
-
Reduce to Deduce
1+2
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
7
-
-
Essence of Number
3
3
3
-
1
2
3
4
5
9
7
8
9

 

 

 

....

 

THE MAN WHO LOVED ONLY NUMBERS

Paul Hoffman

1

999

Page 217

"Mathematicians in India in the sixth century had developed a place value system and introduced the concept of a zero to keep their symbols in their proper places. Thus a 1 with an 0 after it, or 10, is a very different number from a 1 alone. Erdos, who always joked that he was old and stupid, said the Indians were very clever, not just in their discovery of zero, but in their choice of similar- sounding Hindi words for stupid person (buddhu) and old person (buddha).

In the seventh century, Hindu scholars introduced Islam to the Indian number scene, and the ideas of zero / Page 216 ( omitted) and place value spread rapidly throughout the Arabic world. Six centuries later, Fibonacci was so impressed with the ease of the Hindu-Arabic numerals that he wanted to make Pisan merchants aware of them. In 1202, he wrote Liber abaci (Book of the Abacus), which, despite the title had little to do with the Abacus and a lot to do with liberating computations from the yoke of Roman numerals. The book seems quaint from the vantage point of the twentieth century, because it explains what we take for granted.

"The nine Indian figures are: 9 8 7 6 5 4 3 2 1, and with the sign Zero. . . any number can be written."

 

THE NINE INDIAN FIGURES ARE: 987654321, AND WITH THE SIGN ZERO. . . ANY NUMBER CAN BE WRITTEN

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
6
INDIAN
51
33
6
-
-
-
-
-
-
6
-
-
-
F
=
6
-
7
FIGURES
85
40
4
-
-
-
-
4
-
-
-
-
-
A
=
1
-
3
ARE
24
15
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
123456789
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
W
=
5
-
4
WITH
60
24
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
4
SIGN
49
22
4
-
-
-
-
4
-
-
-
-
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
3
ANY
40
13
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
6
NUMBER
73
28
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
3
CAN
18
9
9
-
-
-
-
-
-
-
-
-
9
B
=
2
-
2
BE
7
7
7
-
-
-
-
-
-
-
7
-
-
W
=
5
-
7
WRITTEN
109
37
1
-
1
-
-
-
-
-
-
-
-
-
-
56
-
62
First Total
707
320
68
-
4
2
3
12
5
36
7
8
9
-
-
5+6
-
6+2
Add to Reduce
7+0+7
3+2+0
6+8
-
-
-
-
1+2
-
3+6
-
-
-
-
-
11
-
8
Second Total
14
5
14
-
4
2
3
3
5
9
7
8
9
-
-
1+1
-
-
Reduce to Deduce
1+4
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
5
5
5
-
4
2
3
3
5
9
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
4
6
7
9
T
=
2
-
3
THE
33
15
6
-
-
-
6
-
-
N
=
5
-
4
NINE
42
24
6
-
-
-
6
-
-
I
=
9
-
6
INDIAN
51
33
6
-
-
-
6
-
-
F
=
6
-
7
FIGURES
85
40
4
-
-
4
-
-
-
A
=
1
-
3
ARE
24
15
6
-
-
-
6
-
-
-
-
-
-
-
123456789
-
-
-
-
-
-
-
-
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
W
=
5
-
4
WITH
60
24
6
-
-
-
6
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
6
-
-
S
=
1
-
4
SIGN
49
22
4
-
-
4
-
-
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
A
=
1
-
3
ANY
40
13
4
-
-
4
-
-
-
N
=
5
-
6
NUMBER
73
28
1
-
1
-
-
-
-
C
=
3
-
3
CAN
18
9
9
-
-
-
-
-
9
B
=
2
-
2
BE
7
7
7
-
-
-
-
7
-
W
=
5
-
7
WRITTEN
109
37
1
-
1
-
-
-
-
-
-
56
-
62
First Total
707
320
68
-
4
12
36
7
9
-
-
5+6
-
6+2
Add to Reduce
7+0+7
3+2+0
6+8
-
-
1+2
3+6
-
-
-
-
11
-
8
Second Total
14
5
14
-
4
3
9
7
9
-
-
1+1
-
-
Reduce to Deduce
1+4
-
1+4
-
-
-
-
-
-
-
-
2
-
8
Essence of Number
5
5
5
-
4
3
9
7
9

 

 

1234 5 6789

CIRCLE 5 CIRCLE

 

4
FIVE
42
24
6

 

1 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1

 

15
ONE TWO THREE FOUR
208
82
1
4
FIVE
42
24
6
17
NINE EIGHT SEVEN SIX
208
91
1

ZERO ONE TWO THREE FOUR FIVE SIX SEVEN EIGHT NINE

 

-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
0
-
Z
=
8
-
4
ZERO
64
28
1
-
1
-
-
-
-
-
-
-
-
1
-
O
=
6
-
3
ONE
34
16
7
-
-
-
-
-
-
-
7
-
-
2
-
T
=
2
-
3
TWO
58
13
4
-
-
-
-
4
-
-
-
-
-
3
-
T
=
2
-
5
THREE
56
29
2
-
-
2
-
-
-
-
-
-
-
4
-
F
=
6
-
4
FOUR
60
24
6
-
-
-
-
-
-
6
-
-
-
5
-
F
=
6
-
4
FIVE
42
24
6
-
-
-
-
-
-
6
-
-
-
6
-
S
=
1
-
3
SIX
52
16
7
-
-
-
-
-
-
-
7
-
-
7
-
S
=
1
-
5
SEVEN
65
20
2
-
-
2
-
-
-
-
-
-
-
8
-
E
=
5
-
5
EIGHT
49
31
4
-
-
-
-
4
-
-
-
-
-
9
-
N
=
5
-
4
NINE
42
24
6
-
-
-
-
-
-
6
-
-
-
45
-
-
-
42
-
40
Add
522
225
45
-
1
4
3
8
5
18
14
8
9
4+5
-
-
-
4+2
-
4+0
Reduce
5+2+2
2+2+5
4+5
-
-
-
-
-
-
1+8
1+4
-
-
9
-
-
-
6
-
4
Deduce
9
9
9
-
1
4
3
8
5
9
5
8
9

 

 

4
ZERO
64
28
1

 

OUT OF ZERO COMETH ONE

 

 

JUST SIX NUMBERS

Martin Rees

1
999

OUR COSMIC HABITAT

PLANETS STARS AND LIFE

Page 24

A

proton

is

1,836 times heavier than an electron, and the number 1,836

would have the same connotations to any 'intelligence'

 

 

Shakespeare Quotes - Such Stuff as Dreams Are Made on.
www.enotes.com/shakespeare-quotes/we-such-stuff-dreams-made

The Tempest Act 4, scene 1, William Shakespeare

Prospero:
Our revels now are ended. These our actors,
As I foretold you, were all spirits, and
Are melted into air, into thin air:
And like the baseless fabric of this vision,
The cloud-capp'd tow'rs, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on; and
our little life
Is rounded with a sleep.

 

William Shakespeare ( 26 April 1564 (baptised) – 23 April 1616)
was an English poet and playwright, widely regarded as the greatest writer in the English ...

 

W
=
5
-
2
WE
28
10
1
A
=
1
-
3
ARE
24
15
6
S
=
1
-
4
SUCH
51
15
6
S
=
1
-
5
STUFF
72
18
9
A
=
1
-
2
AS
20
2
2
D
=
4
-
6
DREAMS
60
24
6
A
=
1
-
3
ARE
24
15
6
M
=
4
-
4
MADE
23
14
5
O
=
6
-
2
ON
15
6
6
A
=
1
-
3
AND
19
10
1
O
=
6
-
3
OUR
54
18
9
L
=
3
-
6
LITTLE
78
24
6
L
=
3
-
4
LIFE
32
23
5
I
=
9
-
2
IS
28
10
1
R
=
9
-
7
ROUNDED
81
36
9
W
=
5
-
4
WITH
60
24
6
A
=
1
-
1
A
1
1
1
S
=
1
-
5
SLEEP
57
21
3
-
-
62
Q
66
First Total
741
291
84
-
-
6+2
-
6+6
Add to Reduce
7+4+1
2+9+1
8+4
-
-
8
-
12
Second Total
12
12
12
-
-
-
-
1+2
Reduce to Deduce
1+2
1+2
1+2
-
-
8
-
3
Essence of Number
3
3
3

 

 

Alcheringa is a word in the Indigenous Australian Aranda language used to refer to the Dreamtime, also known as Alchera.

 

Aedh Wishes for the Cloths of Heaven

W. B. Yeats, 1865 - 1939

Had I the heavens’ embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams

 

 

 

 

C
=
3
-
7
CLARIOR
76
40
4
E
=
5
-
2
EX
29
11
2
I
=
9
-
7
IGNIBUS
81
36
9
-
-
1+7
-
1+6
Add to Reduce
1+8+6
8+7
1+5
-
-
8
-
7
Second Total
15
15
6
-
-
-
-
-
Reduce to Deduce
1+5
1+5
-
-
-
8
-
7
Essence of Number
6
6
6

 

 

B
=
2
-
8
BRIGHTER
87
51
6
F
=
6
-
4
FROM
52
25
7
T
=
2
-
3
THE
33
15
6
F
=
6
-
6
FLAMES
56
20
2
-
-
16
-
21
First Total
228
111
21
-
-
1+6
-
2+1
Add to Reduce
2+2+8
1+1+1
2+1
-
-
7
-
3
Second Total
12
3
3
-
-
-
-
-
Reduce to Deduce
1+2
-
-
-
-
7
-
3
Essence of Number
3
3
3

 

 

C
=
3
-
7
CLARIOR
76
40
4
E
=
5
-
2
EX
29
11
2
I
=
9
-
7
IGNIBUS
81
36
9
B
=
2
-
8
BRIGHTER
87
51
6
F
=
6
-
4
FROM
52
25
7
T
=
2
-
3
THE
33
15
6
F
=
6
-
6
FLAMES
56
20
2
-
-
33
-
37
First Total
414
198
36
-
-
3+3
-
3+7
Add to Reduce
4+1+4
1+9+8
3+6
-
-
6
-
10
Second Total
9
18
9
-
-
-
-
1+0
Reduce to Deduce
-
1+8
-
-
-
6
-
1
Essence of Number
9
9
9

 

 

 

-
-
-
-
7
PHOENIX
-
-
-
P
=
7
-
1
P
16
7
7
H
=
8
-
1
H
8
8
8
O
=
6
-
1
O
15
6
6
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
I
=
9
-
1
I
9
9
9
X
=
6
-
1
X
24
6
6
-
-
19
-
7
PHOENIX
91
46
46
-
-
1+9
-
-
-
9+1
4+6
4+6
-
-
10
-
7
PHOENIX
10
10
10
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
1
-
7
PHOENIX
1
1
1

 

 

-
-
-
-
7
PHOENIX
-
-
-
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
O
=
6
-
1
O
15
6
6
X
=
6
-
1
X
24
6
6
P
=
7
-
1
P
16
7
7
H
=
8
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
-
-
19
-
7
PHOENIX
91
46
46
-
-
1+9
-
-
-
9+1
4+6
4+6
-
-
10
-
7
PHOENIX
10
10
10
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
1
-
7
PHOENIX
1
1
1

 

 

P
=
7
-
7
PHOENIX
91
46
1
S
=
1
-
6
SPHINX
90
45
9

 

 

-
-
-
-
6
SPHINX
-
-
-
S
=
1
-
1
S
19
10
1
P
=
7
-
1
P
16
7
7
H
=
8
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
N
=
5
-
1
N
14
5
5
X
=
6
-
1
X
24
6
6
-
-
36
-
6
SPHINX
90
45
36
-
-
3+6
-
-
-
9+0
4+5
3+6
-
-
9
-
6
SPHINX
9
9
9

 

 

 

A
New Book
of
Revelations

1995

by Inner Light Publications

Page 31

 The Holy 999

Part 6

3. "…You have finally located in your search the only passage or use of the number 666 in the entire written record.…" 

4. The number 999 is identified as truly of My Kingdom. It represents a Divine number of the Creation of Life itself in this and other Universes…"

 "…It is a code number within the consciousness…"

 

 

 

 

 

 

GOD'S SECRET FORMULA

Peter Plichta

Page 190  

    "Over the last few years, the mathematicians at the University of Bremen, including Professor HO Peitgen and his colleagues, have been vehemently asserting that the coding of Pascal's Triangle in prime numbers produces a geometry that cannot be a mathematical invention but is evidence of a profound system of the prime numbers in their relation to number theory

P
=
7
-
-
PRIME
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
-
NUMBERS
-
-
-
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
2
M
13
4
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
2
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
3
U
21
3
3
-
-
-
3
-
-
-
-
-
-
-
-
-
-
2
M
13
4
4
-
-
-
-
4
-
-
-
-
-
-
-
-
-
2
B
2
2
2
-
-
2
-
-
-
-
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
-
-
-
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
N
=
5
-
-
NUMBERS
-
-
-
-
-
-
-
-
-
-
-
-
-
P
=
7
-
-
PRIME
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
12
-
12
Add to Reduce
153
72
63
-
1
2
3
8
15
6
7
8
27
-
-
1+2
-
1+2
Reduce to Deduce
1+5+3
7+2
6+3
-
-
-
-
-
1+5
-
-
-
2+7
-
-
3
-
3
Essence of Number
9
9
9
-
1
2
3
8
6
6
7
8
9

 

 

P
=
7
-
-
PRIME
-
-
-
N
=
5
-
-
NUMBERS
-
-
-
-
-
-
-
1
P
16
7
7
-
-
-
-
1
R
18
9
9
-
-
-
-
1
I
9
9
9
-
-
-
-
2
ME
18
9
9
-
-
-
-
1
N
14
5
5
-
-
-
-
3
UMB
36
9
9
-
-
-
-
1
E
5
5
5
-
-
-
-
1
R
18
9
9
-
-
-
-
1
S
19
10
1
N
=
5
-
-
NUMBERS
-
-
-
P
=
7
-
-
PRIME
-
-
-
-
-
12
-
12
Add to Reduce
153
72
63
-
-
1+2
-
1+2
Reduce to Deduce
1+5+3
7+2
6+3
-
-
3
-
3
Essence of Number
9
9
9

 


      Peitgen heads Chapter Six of his book (Bausteine des Chaos, Vol 1) with a quotation from Spinoza
      'Nothing in nature is by chance. . .Something appears to be chance only because of our lack of knowledge.' 

Peitgen, however, does not bring this theme to its revolutionary conclusion because he also feels bound to observe the dogma that numbers are a 'human invention'. Geometry must therefore also be nothing more than human invention."

 

SPINOZA

   'Nothing in nature is by chance. . .Something appears to be chance only because of our lack of knowledge.' 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
N
=
5
-
7
NOTHING
87
42
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
6
NATURE
79
25
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
-
6
CHANCE
34
25
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
9
SOMETHING
110
47
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
7
APPEARS
76
31
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
B
=
2
-
2
BE
7
7
7
-
-
-
-
-
-
-
7
-
-
C
=
3
-
6
CHANCE
34
25
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
-
-
-
B
=
4
-
7
BECAUSE
56
20
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
3
OUR
54
18
9
-
-
-
-
-
-
-
-
-
9
L
=
3
-
4
LACK
27
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
K
=
2
-
9
KNOWLEDGE
96
42
6
-
-
-
-
-
-
6
-
-
-
-
-
73
-
81
First Total
881
377
98
-
1
4
9
4
5
12
28
8
27
-
-
7+3
-
8+1
Add to Reduce
8+8+1
3+7+7
1+7
-
-
-
-
-
-
1+2
2+8
-
2+7
-
-
10
-
9
Second Total
17
17
17
-
1
4
9
4
5
3
10
8
9
-
-
1+0
-
-
Reduce to Deduce
1+7
1+7
1+7
-
-
-
-
-
-
-
1+0
-
-
-
-
1
-
9
Essence of Number
8
8
8
-
1
4
9
4
5
3
1
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
7
SPINOZA
100
37
1
-
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
N
=
5
-
7
NOTHING
87
42
6
-
-
-
-
-
-
6
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
6
NATURE
79
25
7
-
-
-
-
-
-
-
7
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
-
6
CHANCE
34
25
7
-
-
-
-
-
-
-
7
-
-
S
=
1
-
9
SOMETHING
110
47
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
7
APPEARS
76
31
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
B
=
2
-
2
BE
7
7
7
-
-
-
-
-
-
-
7
-
-
C
=
3
-
6
CHANCE
34
25
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
4
ONLY
66
21
3
-
-
-
3
-
-
-
-
-
-
B
=
4
-
7
BECAUSE
56
20
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
3
OUR
54
18
9
-
-
-
-
-
-
-
-
-
9
L
=
3
-
4
LACK
27
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
K
=
2
-
9
KNOWLEDGE
96
42
6
-
-
-
-
-
-
6
-
-
-
-
-
74
-
88
First Total
981
414
99
-
2
4
9
4
5
12
28
8
27
-
-
7+4
-
8+8
Add to Reduce
9+8+1
3+7+8
9+9
-
-
-
-
-
-
1+2
2+8
-
2+7
-
-
11
-
16
Second Total
18
18
18
-
2
4
9
4
5
3
10
8
9
-
-
1+1
-
1+6
Reduce to Deduce
1+8
1+8
1+8
-
-
-
-
-
-
-
1+0
-
-
-
-
2
-
7
Essence of Number
9
9
9
-
2
4
9
4
5
3
1
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
7
SPINOZA
100
37
1
-
1
-
-
-
-
-
-
-
-
I
=
9
2
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
3
9
SOMETHING
110
47
2
-
-
2
-
-
-
-
-
-
-
B
=
4
4
7
BECAUSE
56
20
2
-
-
2
-
-
-
-
-
-
-
O
=
6
5
4
ONLY
66
21
3
-
-
-
3
-
-
-
-
-
-
O
=
6
6
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
O
=
6
7
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
A
=
1
8
7
APPEARS
76
31
4
-
-
-
-
4
-
-
-
-
-
I
=
9
9
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
N
=
5
10
7
NOTHING
87
42
6
-
-
-
-
-
-
6
-
-
-
K
=
2
11
9
KNOWLEDGE
96
42
6
-
-
-
-
-
-
6
-
-
-
N
=
5
12
6
NATURE
79
25
7
-
-
-
-
-
-
-
7
-
-
C
=
3
13
6
CHANCE
34
25
7
-
-
-
-
-
-
-
7
-
-
B
=
2
14
2
BE
7
7
7
-
-
-
-
-
-
-
7
-
-
C
=
3
15
6
CHANCE
34
25
7
-
-
-
-
-
-
-
7
-
-
T
=
2
16
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
B
=
2
17
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
O
=
6
18
3
OUR
54
18
9
-
-
-
-
-
-
-
-
-
9
L
=
3
19
4
LACK
27
9
9
-
-
-
-
-
-
-
-
-
9
-
-
74
-
88
First Total
981
414
99
-
2
4
9
4
5
12
28
8
27
-
-
7+4
-
8+8
Add to Reduce
9+8+1
3+7+8
9+9
-
-
-
-
-
-
1+2
2+8
-
2+7
-
-
11
-
16
Second Total
18
18
18
-
2
4
9
4
5
3
10
8
9
-
-
1+1
-
1+6
Reduce to Deduce
1+8
1+8
1+8
-
-
-
-
-
-
-
1+0
-
-
-
-
2
-
7
Essence of Number
9
9
9
-
2
4
9
4
5
3
1
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
5
INTER
66
30
3
-
-
-
3
-
-
-
-
-
-
P
=
7
-
10
PENETRATES
123
42
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
6
MATTER
77
23
5
-
-
-
-
-
5
-
-
-
-
-
-
24
-
25
Add to Reduce
306
117
18
-
1
2
3
3
5
6
7
8
9
-
-
2+4
-
2+5
Reduce to Deduce
3+0+6
1+1+7
1+8
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
Essence of Number
9
9
9
-
1
2
3
3
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
3
4
5
6
M
=
4
-
4
MIND
40
22
4
-
-
4
-
-
I
=
9
-
5
INTER
66
30
3
-
3
-
-
-
P
=
7
-
10
PENETRATES
123
42
6
-
-
-
-
6
M
=
4
-
6
MATTER
77
23
5
-
-
-
5
-
-
-
24
-
25
Add to Reduce
306
117
18
-
3
3
5
6
-
-
2+4
-
2+5
Reduce to Deduce
3+0+6
1+1+7
1+8
-
-
-
-
-
-
-
6
-
7
Essence of Number
9
9
9
-
3
3
5
6

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
-
5
INTER
66
30
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
-
-
M
=
4
-
6
MATTER
77
23
5
-
-
-
-
-
5
-
-
-
-
P
=
7
-
10
PENETRATES
123
42
6
-
-
-
-
-
-
6
-
-
-
-
-
24
-
25
Add to Reduce
306
117
18
-
1
2
3
3
5
6
7
8
9
-
-
2+4
-
2+5
Reduce to Deduce
3+0+6
1+1+7
1+8
-
-
-
-
-
-
-
-
-
-
-
-
6
-
7
Essence of Number
9
9
9
-
1
2
3
3
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
Y
=
7
-
4
YOUR
79
34
7
-
-
-
-
-
-
-
7
-
-
O
=
6
-
3
OWN
52
16
7
-
-
-
-
-
-
-
7
-
-
-
-
24
-
14
-
193
85
22
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
?
-
-
-
-
-
-
-
-
-
-
-
-
-
W
=
5
-
9
WHATEVER
102
12
3
-
-
2
-
-
-
-
-
-
-
G
=
7
-
7
GAVE
35
17
8
-
-
-
-
-
-
-
-
8
-
Y
=
7
-
2
YOU
61
7
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
2
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
6
IDEA
19
19
1
-
1
-
-
-
-
-
-
-
-
-
-
30
-
23
-
266
104
23
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
?
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
54
-
37
First Total
459
189
45
-
2
2
3
8
5
6
21
8
18
-
-
5+4
-
3+7
Add to Reduce
4+5+9
1+8+9
4+5
-
-
-
-
-
-
-
2+1
-
1+8
-
-
9
-
10
Second Total
18
18
9
-
2
2
3
8
5
6
3
8
9
-
-
-
-
1+0
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
Essence of Number
9
9
9
-
2
2
3
8
5
6
3
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
M
=
4
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
Y
=
7
-
4
YOUR
79
34
7
-
-
-
-
-
7
-
-
O
=
6
-
3
OWN
52
16
7
-
-
-
-
-
7
-
-
-
-
24
-
14
-
193
85
22
-
-
-
-
-
-
-
9
-
-
-
-
-
?
-
-
-
-
-
-
-
-
-
-
-
W
=
5
-
9
WHATEVER
102
12
3
-
-
2
-
-
-
-
-
G
=
7
-
7
GAVE
35
17
8
-
-
-
-
-
-
8
-
Y
=
7
-
2
YOU
61
7
7
-
-
-
-
-
7
-
-
T
=
2
-
2
THAT
49
13
4
-
-
-
-
4
-
-
-
I
=
9
-
6
IDEA
19
19
1
-
1
-
-
-
-
-
-
-
-
30
-
23
-
266
104
23
-
-
-
-
-
-
-
9
-
-
-
-
-
?
-
-
-
-
-
-
-
-
-
-
-
-
-
54
-
37
First Total
459
189
45
-
2
2
3
8
21
8
18
-
-
5+4
-
3+7
Add to Reduce
4+5+9
1+8+9
4+5
-
-
-
-
-
2+1
-
1+8
-
-
9
-
10
Second Total
18
18
9
-
2
2
3
8
3
8
9
-
-
-
-
1+0
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
-
9
-
1
Essence of Number
9
9
9
-
2
2
3
8
3
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
7
8
9
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
M
=
4
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
Y
=
7
-
4
YOUR
79
34
7
-
-
-
-
-
7
-
-
O
=
6
-
3
OWN
52
16
7
-
-
-
-
-
7
-
-
W
=
5
-
9
WHATEVER
102
12
3
-
-
2
-
-
-
-
-
G
=
7
-
7
GAVE
35
17
8
-
-
-
-
-
-
8
-
Y
=
7
-
2
YOU
61
7
7
-
-
-
-
-
7
-
-
T
=
2
-
2
THAT
49
13
4
-
-
-
-
4
-
-
-
I
=
9
-
6
IDEA
19
19
1
-
1
-
-
-
-
-
-
-
-
54
-
37
First Total
459
189
45
-
2
2
3
8
21
8
18
-
-
5+4
-
3+7
Add to Reduce
4+5+9
1+8+9
4+5
-
-
-
-
-
2+1
-
1+8
-
-
9
-
10
Second Total
18
18
9
-
2
2
3
8
3
8
9
-
-
-
-
1+0
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
-
9
-
1
Essence of Number
9
9
9
-
2
2
3
8
3
8
9

 

 

https://www.youtube.com/watch?v=TQ9_6W6bVoQ

 

 

TIMELESS EARTH

Peter Kolosimo

Page 121

"Another curious fact is the prevalance in Malta of the spiral design which, in many parts of the globe signifies the Universe. It is a matter for speculation how the peoples of the ancient world came to adopt this sign, corresponding as it does to the actual configuration of most of the 'islands of cosmic space."

 

 



" the number 1,836 would have the same connotations"
"A remarkable use of the number 3168 occurs"





1836
       1863
             1683
                   1638
                         1368
                               1386
                                     8613
                                            8631
                                                  8316
                                                        8361
                                                              8163
                                                                       8136
                                                                             6813
                                                                                   6831
                                                                                         6381
                                                                                               6318
                                                                                                      6138
                                                                                                             6183
                                                                                                                   3861
                                                                                                                         3816
                                                                                                                               3681
                                                                                                                                     3618
                                                                                                                                           3186
                                                                                                                                                 3168

 

 

DAILY MAIL

Tuesday, April 10 2007

Page 42

Jonathan writes: Why am I travelling to Tibet to investigate a prophecy from Mexico? It has something to do with ancient cultures, complicated cosmologies and poignant predictions. On my way, I passed through Delhi, where there is a temple dedicated to Saturn. Word has not yet reached them there about the newly-discovered hexagon at Saturn's north pole. I have, however, been dwelling on this. The Star of David is hexagonal. Could Saturn have a message about the future of Israel?

 

 

Names of God in Judaism - Wikepedia, the free encyclopedia

"I am that I am" (Hebrew: אהיה אשר אהיה, pronounced Ehyeh asher ehyeh) is the ... Ehyeh asher ehyeh is generally interpreted to mean "I will be what I will ...en.wikipedia.org/wiki/Names_of_God_in_Judaism

Ehyeh-Asher-Ehyeh

The name Ehyeh (Hebrew: אֶהְיֶה) denotes God's potency in the immediate future, and is part of YHWH. The phrase "ehyeh-asher-ehyeh" (Exodus) 3:14) is interpreted by some authorities as "I will be because I will be", using the second part as a gloss and referring to God's promise, "Certainly I will be [ehyeh] with thee" (Exodus 3:12). Other authorities claim that the whole phrase forms one name. The Targum Onkelos leaves the phrase untranslated and is so quoted in the Talmud (B. B. 73a). The "I am that I am" of the Authorised Version is based on this view.

"I am that I am" (Hebrew: אהיה אשר אהיה, pronounced Ehyeh asher ehyeh) is the sole response used in (Exodus 3:14) when Moses asked for God's name. It is one of the most famous verses in the Hebrew Bible. Hayah means "existed" or "was" in Hebrew; ehyeh is the first-person singular imperfect form. Ehyeh asher ehyeh is generally interpreted to mean "I will be what I will be", I shall be what I shall be or I am that I am (King James Bible and others). The Tetragrammaton itself may derive from the same verbal root.

HASHEM

Jewish Law requires that secondary rules be placed around the primary law, to reduce the chance that the main law will be broken. As such, it is common Jewish practice to restrict the use of the word Adonai to prayer only. In conversation, many Jewish people will call God "Hashem", which is Hebrew for "the Name" (this appears in Leviticus 24:11). Many Jews extend this prohibition to some of the other names listed below, and will add additional sounds to alter the pronunciation of a name when using it outside of a liturgical context, such as kel or elokim.

While other names of God in Judaism are generally restricted to use in a Liturgicalcontext, Hashem is used in more casual circumstances. Hashem is used by Orthodox Jews so as to avoid saying Adonai outside of a ritual context. For example, when Orthodox Jews make audio recordingsof prayer services, they generally substitute Hashem for Adonai--for example, this pattern is used during all prayers in the movie Ushpizin.

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."


Page 32

The Four Corners of the Earth

Odd and Prime

THREE is special - we are 'three times lucky'. Most important categories come in threes, like Mother, Father and Child, or the Trinity of the Christians: Father, Son and Holy Ghost. The atom is classified in three main parts as Proton, Neutron and Electron, and all matter is either solid, liquid or gas. Three is also the mark of the eternal triangle, the first definition of a two dimensional area according to books on geometry.
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
To others SEVEN is the lucky number, associated with mystery and mysticism. In the world of the Buddhists and the Taoists seven spirits put the world in order, the seventh putting the pillars of the Heavens in place to complete the act of creation sublime.
3, 5 and 7 are all odd numbers - they are also the first prime numbers. And luck and power are associated with these numbers.

Page 44

Archetypes

But nine covers Hell and the dark side in thrice three­fold ways as well.

At last appear
Hell-bounds, high reaching to the horrid roof And thrice threefold the gates; three folds were brass, Three iron, three of adamantine rock, Impenetrable, impaled with circling fire
Yet unconsumed
. (Milton, Paradise Lost)


To make a charm the witches chant: Thrice to thine.
and thrice to mine,
and thrice again to make up nine.
(Shakespeare, Macbeth 1 liii])

3 x 3 x 3 = 9

 

 

THE EGYPTIAN BOOK OF THE DEAD

E. A. Wallace Budge

1899

OF LIVING NIGH UNTO RA

Page 397

Or,
"The Chapter of making the way into heaven nigh unto Ra "
Chap. cxxxi. 5]
[From the Papyrus of Nu (Brit. Mus. No. 10,477, sheets 17 and 18).)
Vignette: This Chapter is without vignette, both in the Papyrus of Nu and in the Saite Recension (see Lepsius, OF. cit., Bl. 54).
Text: (1)

THE CHAPTER OF HAVING EXISTENCE NIGH UNTO RA.

1 The overseer of the house of the overseer of the seal, Nu, triumphant, saith :-

"I am that god Ra who shineth in the night. Every "(2) being who followeth in his train shall have life in " the following of the god Thoth, and he shall give "unto him the risings of Horus in the darkness. The " heart of Osiris Nu, the overseer of the house of the overseer of the seal, triumphant, is glad (3) because "he is one of those beings, and his enemies have been "destroyed by the divine princes. I am a follower of "Ra, and [I have] received his iron weapon. (4) I "have- come unto thee, O my father Ra, and I have " advanced to the god Shu. I have cried unto the "mighty goddess, I have equipped the god Hu (5) and "I alone have removed the Nebt god from the path of "' Ra. I am a Khu, and I have come to the divine "' prince at the bounds of the horizon. I have met / Page 398 / [Chap. cxxxi. 6 " (6) and I have received the mighty goddess. I have "raised up thy soul in the following of thy strength, "and my soul [liveth] through thy victory and thy "mighty power; it is I who give commands (7) in "speech to Ra in heaven. Homage to thee, O great " god in the east of heaven, let me embark in thy boat, " O Ra, let me open myself out in the form of a divine "hawk, (8) let me give my commands in words, let me " do battle in my Sekhem (?), let me be master under "my vine. Let me embark in thy boat O Ra, in "peace, (9) and let me sail in peace to the beautiful " Amentet. Let the god Tem speak unto me, [saying], " 'Wouldst [thou] enter therein?' The lady, the "goddess Mehen, is a million of years, yea, two million "years in (10) duration, and dwelleth in the house of "Urt and Nif-urt [and in} the Lake of a million years; "the whole company. of the gods move about among "those who are at the side of him who is the lord of "divisions of places (?). And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go round about "behind him, and they go round about behind him.'"

And I say, 'On every road " and among (11) these millions of years is Ra the lord, "and his path is in the fire; and they go round about "behind him, and they go round about behind him.'"

 

 

GODS AND SPACEMAN IN THE ANCIENT EAST

New evidence on the unexplained mysteries of civilization in the ancient East

W. Raymond Drake 1968

Page 135

Children of impotent revolt) into the eastern part of heaven, whereupon there arose a battle in heaven and in all the earth.
'O Thou, who art in the Egg (i.e. Ra) who shinest from thy disk and risest in thy horizon and dost shine like gold above the, sky, like unto whom there is none among the Gods, who sailest over the Pillars of Shu (the ether) who givest blasts of fire from the mouth (who makest the two lands bright with thy radiance deliver) the faithful worshippers from the God whose forms are hidden, whose eyebrows are like unto the two arms of the balance on the night of the reckoning of destruction.
Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds which may be interpreted as meaning Spacemen.
This description of a Celestial in a shining spacecraft speeding through the skies, blasting armies with fire, recalls those flaming `shields' mentioned in the Annales Laurissenses which in the year An 776 routed the Saxons besieging the Franks at Sigiburg."'
The same Chapter XVII continues:
`(112) . . . I know the being, Matchet, (the Oppressor) who is among them in the House of Osiris shooting rays of light from (his) Eye, but he himself is unseen. He goeth round about heaven robed in the flames of his mouth, commanding Hapi (lands of the Nile) but remaining himself unseen. . . . I fly as a hawk. I cackle as a goose. I ever slay, even as the Serpent Goddess, Nehebka....'
`(140) . . Thou livest according to thy will, thou art Uatchit, the Lady of the Flame, (141) Evil cometh among those who set themselves up against thee . . . (145) Uatchit, the Lady of the Flames, is the Eye of Ra....'
The ancient Stanzas of Dzyan honour the 'Lords of the Flame', Sanskrit Vedas mention 'Lords of Light', the Egyptian The Book of the Dead praises the 'Lady of the Flame'. Surely this suggests Extra-terrestrials with laser-light weapons dominating our Earth in far Antiquity?
Several references in The Book of the Dead are made to the `Shining Ones' possibly Wondrous Beings from the stars; the Bible would call them 'Angels of the Lord'.
`Behold, O ye Shining Ones, ye Men and Gods . . . Osiris. Ani is victorious over his foes in the heavens above and (on the earth) beneath in the presence of the god-like Rulers of all the Gods and Goddesses' (Chapter 134,15/17).

Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds

 

 

THE MORNING OF THE MAGICIANS

Lois Pauwels and Jacques Bergier 1963

Page 226

"...dreams can foretell even distant future events,* and two German research workers, Moufang and Stevens, in a work entitled The Mystery of Dreams have cited a number of cases, which have been carefully checked, in which dreams revealed future events and led to important scientific discoveries.
The celebrated atomic scientist, Niels Bohr, when he was a student, had a strange dream. He saw himself on a Sun consisting of burning gas. Planets whizzed by, whistling as they passed. They were attached to the Sun by thin filaments, and revolved round it. Suddenly the gas solidified and the Sun and planets crumbled away. Niels Bohr then woke up and realized that he had just discovered the model of the atom, so long sought after. The 'Sun' was the fixed centre round which the electrons revolve. The whole of modem atomic physics and its applications have come out of this dream."

"He saw himself on a Sun consisting of burning gas. Planets whizzed by, whistling as they passed"

"The 'Sun' was the fixed centre round which the electrons revolve"

In 1913 Bohr perfected the Rutherford theory of the atom by an early use of quantum theory. An electron moving in a circle around the nucleus can be held in orbit by a balance between the electrostatic force of attraction to the nuclei and the centrifugal force due to its motion.

 

 

A HISTORY OF GOD

Karen Armstrong 1993

UNITY THE GOD OF ISLAM

Page 182

"As they converge on the Kaba, clad in the traditional pilgrim dress that obliterates all distinctions of race or class, they feel that they have been liberated / Page 183 / from the egotistic preoccupations of their daily lives and been caught up into a community that has one focus and orientation. They cry in unison; 'Here I am at your service, O al-Lah' before they begin the circumambulations around the shrine. The essential meaning of this rite is brought out well by the late Iranian philosopher All Shariati:

As you circumambulate and move closer to the Kabah, you feel like a small stream merging with a big river. Carried by a wave you lose touch with the ground. Suddenly, you are floating, carried on by the flood. As you approach the centre, the pressure of the crowd squeezes you so hard that you are given a new life. You are now part of the People; you are now a Man, alive and eternal. . .

The Kabah is the world's sun whose face attracts you into its orbit. You have become part of this universal system. Circumambulating around Al-lah, you will soon forget yourself. . . You have been transformed into a particle that is gradually melting and disappearing. This is absolute love at its peak.".

 

 

The RA Expeditions

Thor Heyerdal 1970

Page 14

"The largest reed boats in Peru were depicted as two deckers. Quantities of water jars and other cargo were painted in on the lower deck, as well as rows of little people, and on the upper deck usually stood the earthly representative of the sun-god the priest king, larger than all his companions, surrounded by bird-headed men who were often hauling on ropes to help the reed boat through the water. The tomb paintings in Egypt also portrayed the sun-god's earthly representative, the priest-king known as the pharaoh, like an imposing giant on his reed boat, surrounded by minature people, while / Page 15 / the same mythical men with bird heads towed the reed boat through the water.
Reed boats and bird-headed men seemed to go together, for some inexplicable reason. For we had found them far out in the Pacific Ocean too, on Easter Island, where the sun-god's mask, the reed boats with sails, and the men with bird heads formed an inseperable trio amomg the wall-paintings and reliefs in the ancient ceremonial village of Orongo, with its solar observatory. Easter Island, Peru, Egypt. These strange parrallels could hardly have been found further apart. Apparently they could hardly furnish better proof that men must have arrived independently at the same time in widely seperated places. Apparently. But what was even more strange was that the aboriginal people of Easter Island called the sun ra. Ra was the name for the sun on all the hundreds of Polynesian islands, so it could be no mere accident.Ra was also the name for the sun in ancient Egypt. No word was more important to the ancient Egyptian religion than Ra, the sun, the sun-god, ancestor of the pharaohs. The one who sailed reed boats, with an entourage of bird headed men. Giant monolithic statues as high as houses had been erected in honour of the sun-god's earthly priest-kings on Easter Island, in Peru and in ancient Egypt. And in all three places, solid rock had been sliced up like cheese into blocks as big as railway trucks and fitted together in stepped pyramids designed on an astronomical basis according to the movements of the sun. All in honour of the common ancestor, the sun, Ra. Was there some connection, or was it just coincidence?"

 

 

THE COSMIC SERPENT

Jeremy Narby

1

999

Page 53

"For several hours after drinking the brew, I found myself, although awake, in a world literally beyond my wildest dreams. I met bird-headed people, as well as dragon-like creatures who explained that they were the true gods of this world.

Page 54

After several minutes he found himself falling into a world of true hallucinations. After arriving in a celestial cavern where "a supernatural carnival of demons" was in full swing, he saw two strange boats floating through the air that combined to form "a huge dragon-headed prow, not unlike that of a Viking ship." On the deck, he could make out "large numbers of people with the heads of blue jays and the bodies of humans, not unlike the bird­headed gods of ancient Egyptian tomb paintings."

After multiple episodes, which would be too long to describe here, Hamer became convinced that he was dying. He tried call­ /Page 55/ ing out to his Conibo friends for an antidote without managing to pronounce a word. Then he saw that his visions emanated from "giant reptilian creatures" resting at the lowest depths of his brain. These creatures began projecting scenes in front of his eyes, while informing him that this information was reserved for the dying and the dead:

Page 53

"I met bird-headed people"

Page54

"not unlike the bird­headed gods of ancient Egyptian tomb paintings."

"large numbers of people with the heads of blue jays and the bodies of humans, not unlike the bird­headed gods of ancient Egyptian tomb paintings."

 

 

The RA Expeditions

Thor Heyerdal 1970

Page 15

Ra was also the name for the sun in ancient Egypt. No word was more important to the ancient Egyptian religion than Ra, the sun, the sun-god, ancestor of the pharaohs. The one who sailed reed boats, with an entourage of bird headed men.

"The one who sailed reed boats, with an entourage of bird headed men."

 

 

GODS AND SPACEMAN IN THE ANCIENT EAST

New evidence on the unexplained mysteries of civilization in the ancient East

W. Raymond Drake 1968

Page 135

Children of impotent revolt) into the eastern part of heaven, whereupon there arose a battle in heaven and in all the earth.
'O Thou, who art in the Egg (i.e. Ra) who shinest from thy disk and risest in thy horizon and dost shine like gold above the, sky, like unto whom there is none among the Gods, who sailest over the Pillars of Shu (the ether) who givest blasts of fire from the mouth (who makest the two lands bright with thy radiance deliver) the faithful worshippers from the God whose forms are hidden, whose eyebrows are like unto the two arms of the balance on the night of the reckoning of destruction.
Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds which may be interpreted as meaning Spacemen.

"Hieroglyphics in Ani's Papyrus represent Ra and Horus as human-headed birds

 

 

THE MAGIC MOUNTAIN

Thomas Mann

1875-1955

Page 888

"Now Isis, the Great One of the island, Eset, a millionfold fertile in guile, felt that her moment was come. Her wisdom embraced heaven and earth, like that of the old superannuated old Re himself. But there was one thing she did not know or command, and the lack of it / Page 889 / hampered her: she did not know the last, most secret name of Re, his very final one, knowledge of which would give power over him. Re had very many names, each one more secret than the one before, yet not utterly hopeless to find out, save one, the very last and mightiest. That he still witheld; whoso could make him name it, he could compel him and outdistance him and put him under his feet.
Therefore Eset conceived and devised a serpent, which should sting Re in his golden flesh."
"Then the intolerable pain of the sting, which only great Eset could cure who made the worm, would force Re to tell her his name. Now as she contrived it so was it fulfilled. The old Re was stung, and in torments was forced to come out with one of his secret names after another, always hoping that the goddess would be satisfied before they got to the last one. But she kept on to the uttermost, until he had named her the most secret of all, and the power of her knowledge over him was absolute. After that it cost her nothing to heal his wound; but he only got a little better, within the wretched limits in which so old a creature can; and soon thereafter he gave up and joined the great majority."

 

 

-
2
R
E
-
-
-
-
-
-
-
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
-
18
5
+
=
23
2+3
=
5
=
5
-
2
R
E
-
-
-
-
-
-
-
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
-
18
5
+
=
23
2+3
=
5
=
5
-
2
R
E
-
-
-
-
-
--
-
-
-
-
18
5
+
=
23
2+3
=
5
=
5
-
-
9
5
+
=
14
1+4
=
5
=
5
-
2
R
E
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
ONE
1
-
-
-
2
-
-
-
-
-
2
TWO
2
-
-
-
3
-
-
-
-
-
3
THREE
3
-
-
-
4
-
-
-
-
-
4
FOUR
4
-
-
-
5
-
-
5
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
31
2
R
E
-
-
14
-
-
2
-
14
3+1
-
9
-
-
-
1+4
-
-
-
-
1+4
4
2
R
E
-
-
5
-
-
2
-
5
-
-
9
5
-
-
-
-
-
-
-
-
4
2
R
E
-
-
5
-
-
2
-
5

 

 

2
R
E
-
-
-
-
-
--
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
18
5
+
=
23
2+3
=
5
=
5
2
R
E
-
-
-
-
-
--
-
-
-
9
5
+
=
14
1+4
=
5
=
5
-
18
5
+
=
23
2+3
=
5
=
5
2
R
E
-
-
-
-
-
--
-
-
-
18
5
+
=
23
2+3
=
5
=
5
-
9
5
+
=
14
1+4
=
5
=
5
2
R
E
-
-
-
-
-
-
-
-
-
-
5
-
-
5
occurs
x
1
=
5
-
9
-
-
-
9
occurs
x
1
=
9
2
R
E
-
-
14
-
-
2
-
14
-
9
-
-
-
1+4
-
-
-
-
1+4
2
R
E
-
-
5
-
-
2
-
5
-
9
5
-
-
-
-
-
-
-
-
2
R
E
-
-
5
-
-
2
-
5

 

 

OBJECTIVE REALITY

Poems and Essays

by

Lloyd C. Daniel 1985

Page 32

sun

energy

energy

energy

energy

energy

energy

energy

energy

energy

energy

rrrraaaaaaaahhhhhhhhhhhhhhhh!

I

AM ME

I

AM FREE

David Icke 1996

Page 33

The Global Dictatorship

"I'm sorry, would you just excuse me once more?

Aaaaaaaaaaaaaaaaaaaaaaaahhhhhhhhhhhhhhhhhhhhhhhhhh!!!"

 

I

ME

YEA

THOUGH I WALK THROUGH

THE

VALLEY OF THE SHADOW OF DEATH

I

WILL FEAR NO EVIL FOR THOU ART WITH

ME

 

 

WHY SMASH ATOMS

A. K. Solomon 1940

VAN DE GRAAFF GENERATOR

Page 77

"Once the fairy tale hero has penetrated the ring of fire round the magic mountain he is free to woo the heroine in her castle on the mountain top."

.....

 

OF TIME AND STARS

Arthur C. Clarke 1972

FOREWORD

"'Into the Comet' and 'The Nine Billion Names of God' both involve computers and the troubles they may cause us. While writing this preface, I had occasion to call upon my own HP 9100A computer, Hal Junior, to answer an interesting question. Looking at my records, I find that I have now written just about one hundred short stories. This volume contains eighteen of them: therefore, how many possible 18-story collections will I be able to put together? The answer ­as I am sure will be instantly obvious to you - is 100 x 99. . . x 84 x 83 divided by 18 x 17 x 16 ... x .2 x 1. This is an impressive number - Hal Junior tells me that it is approximately 20,772,733,124,605,000,000.

Page 15

The Nine Billion Names of God

'This is a slightly unusual request,' said Dr Wagner, with what he hoped was commendable restraint. 'As far as I know, it's the first time anyone's been asked to supply a Tibetan monastery with an Automatic Sequence Computer. I don't wish to be inquisitive, but I should hardly have thought that your - ah - establishment had much use for such a machine. Could you explain just what you intend to do with it?'
'Gladly,' replied the lama, readjusting his silk robes and carefully putting away the slide rule he had been using far currency conversions. 'Your Mark V Computer can carry out any routine mathematical operation involving up to ten digits. However, for our work we are interested in letters, not numbers. As we wish you to modify the output circuits, the machine will be printing words, not columns of figures.'
'I don't quite understand. . .'
'This is a project on which we have been working for the last three centuries - since the lamasery was founded, in fact. It is somewhat alien to your way of thought, so I hope you will listen with an open mind while I explain it.'
'Naturally.'
'It is really quite simple. We have been compiling a list which shall contain all the possible names of God.'
'I beg your pardon?'

Page16

'We have reason to believe,' continued the lama imperturbably, 'that all such names can be written with not more than nine letters in an alphabet we have devised.'
'And you have been doing this for three centuries?'
'Yes: we expected it would take us about fifteen thousand years to complete the task.'
'Oh,' Dr Wagner looked a little dazed. 'Now I see why you wanted to hire one of our machines. But what exactly is the purpose of this project?'
The lama hesitated for a fraction of a second, and Wagner wondered if he had offended him. If so, there was no trace of annoyance in the reply.
'Call it ritual, if you like, but it's a fundamental part of our belief. All the many names of the Supreme Being - God Jehova, Allah, and so on - they are only man-made labels. There is a philosophical problem of some difficulty here, which I do not propose to discuss, but somewhere among all the possible combinations of letters that can occur are what one may call the real names of God. By systematic permutation of letters, we have been trying to list them all.'
'I see. You've been starting at AAAAAAA . . . and working up to ZZZZZZZZ . . .'
'Exactly - though we use a special alphabet of our own. Modifying the electromatic typew
riters to deal with this is, of course, trivial. A rather more interesting problem is that of devising suitable circuits to eliminate ridiculous combinations. For example, no letter must occur more than three times in succession.'
,'Three? Surely you mean two.'
'Three is correct: I am afraid it would take too long to explain why, even if you understood our language.' "

 

 

I = 9 9 = I

R = 9 9 = R

 

 

OF

T9ME AND STA9S

A9thu9 C. Cla9ke,1972

Page 15

THE N9NE B9LL9ON NAMES OF GOD

'Th9s 9s a sl9ghtly unusual 9equest,'sa9d D9 Wagne9, w9th what he hoped was commendable 9est9a9nt.' As fa9 as 9 know, 9t's the f99st t9me anyone's been asked to supply a T9betan monaste9y with an Automat9c Sequence Compute9. 9 don't w9sh to be 9nqu9s9t9ve, but 9 should ha9dly have thought that you9- ah - establ9shment had much use for such a mach9ne.Could you expla9n just what you 9ntend to do w9th 9t?'

'Gladly,' 9epl9ed the lama, 9eadjust9ng h9s s9lk 9obes and ca9efully putting away the sl9de 9ule he had been us9ng fo9 cu99ency conve9s9ons. 'You9 Ma9k V Compute9 can ca99y out any 9out9ne mathemat9cal ope9at9on 9nvolv9ng up to ten d9g9ts. Howeve9, for ou9 work we are 9nte9ested 9n lette9s, not numbe9s. As we w9sh you to mod9fy the output c9rcu9ts,the mach9ne w9ll be p99nt9ng wo9ds not columns of f9gu9es.'

'9 dont qu9te unde9stand…'

'Th9s 9s a p9oject on wh9ch we have been work9ng fo9 the last th9ee centu99es - s9nce the lamase9y was founded, 9n fact.9t 9s somewhat al9en to you9 way of thought, so9 hope you w9ll l9sten with an open m9nd wh9le 9 expla9n 9t

'Natu9ally.'

'9t 9s 9eally qu9te s9mple.We have been comp9l9ng a l9st wh9ch shall conta9n all the poss9ble names of God'

'9 beg you9 pa9don?' / Page16 / 'We have 9eason to bel9eve' cont9nued the lama 9mpe9tu9bably, ' that all such names can be w99tten with not mo9e than n9ne lette9s 9n an alphabet we have dev9sed,'

'And you have been do9ng th9s for three centu99es?

'Yes: we expected9t would take us about f9fteen thousand years to complete the task.'

'Oh, Dr Wagne9 looked a l9ttle dazed. 'Now9 see why you wanted to h99e one of ou9 mach9nes. But what exactly9s the pu9pose of th9s p9oject ?

'The lama hes9tated fo9 a f9act9on of a second, and Wagne9 wonde9ed9f he had offended h9m.9f so the9e was no t9ace of annoyance9n the 9eply.

'Call9t 99tual, 9f you l9ke, but 9t's a fundamental pa9t of ou9 bel9ef. All the many names of the Sup9eme Be9ng - God , Jehova , Allah , and so on - they a9e only man made labels. The9e 9s a ph9losoph9cal p9oblem of some d9ff9culty he9e, wh9ch9 do not p9opose to d9scuss, but somewhe9e among all the poss9ble comb9nat9ons of lette9s that can occu9 a9e what one may call the 9eal names of God. By systemat9c pe9mutat9on of lette9s, we have been t9y9ng to l9st them all'

9 see. You've been sta9t9ng at AAAAAAA… and wo9k-9ng up to ZZZZZZZZ …'

'Exactly - though we use a spec9al alphabet of ou9 own. Mod9fy9ng the elect9omat9c typew99te9s to deal w9th th9s 9s of cou9se t99v9al. A 9athe9 mo9e 9nte9est9ng p9oblem 9s that of dev9s9ng su9table c99cu9ts to el9m9nate 9 9d9culous comb9nat9ons. Fo9 example, no lette9 must occu9 mo9e than th9ee t9mes 9n sucess9on.'

'Th9ee? Su9ely you mean two.'

'Th9ee 9s co99ect; 9 am af9a9d 9t would take too long to expla9n why , even 9f you unde9stood ou9 language.'/ Page 17 / '9'm su9e 9t would,' sa9d Wagne9 hast9ly. 'Go on.'

'Luck9ly, 9t w9ll be a s9mple matte9 to adapt you9 Automat9c Sequence Compute9 fo9 th9s wo9k, s9nce once 9t has been p9og9ammed p9ope9ly 9t w9ll pe9mute each lette9 9n tu9n and p99nt the 9esult. What would have taken us f9fteen thousand years 9t w9ll be able to do 9n a hund9ed days.'

'Dr Wagne9 was sca9cely consc9ous of the fa9nt sounds f9om the Manhatten st9eets fa9 below. He was 9n a d9ffe9ent wo9ld, a wo9ld of natu9al, not man-made mounta9ns. H9gh up 9n the99 9emote ae99es these monks had been pat9ently at wo9k gene9at9on afte9 gene9at9on, comp9l9ng the99 l9sts of mean9ngless wo9ds. Was the9e any l9m9ts to the foll9es of mank9nd ? St9ll, he must g9ve no h9nt of h9s 9nne9 thoughts. The custome9 was always 99ght…"

 

 

OF TIME AND STARS

Arthur C. Clarke 1972

Page 68

Into the Comet


"Pickett's fingers danced over the beads, sliding them up and down the wires with lightning speed. There were twelve wires in all, so that the abacus could handle numbers up to 999,999,999,999 - or could be divided into separate sections where several independent calculations could be carried out simultaneously.
'374072,' said Pickett, after an incredibly brief interval of time. 'Now see how long you take to do it, with pencil and paper.'
There was a much longer delay before Martens, who like most mathematicians was poor at arithmetic, called out '375072'. A hasty check soon confirmed that Martens had taken at least three times as long as Pickett to arrive at the wrong answer.
The atronomer's face was a study in mingled chagrin, astonishment, and curiosity.
'Where did you learn that trick?' he asked. 'I thought those things could only add and subtract.'
'Well - multiplication's only repeated addition, isn't it? All I did was to add 856 seven times in the unit column, three times in the tens column, and four times in the hundreds column. You do the same thing when you use pencil and paper. Of course, there are some short cuts, but if you think I'm fast, you should have seen my grand-uncle. He used to work in a Yokohama bank, and you couldn't see his fingers / Page 69 / when he was going at speed"

 

 

LOVELESS HEARTS SHALL LOVE
TOMORROW, HEARTS THAT HAVE
LOVED SHALL LOVE ANEW,
SP
RING IS YOUNG NOW, SPRING
IS SINGING, IN THE SPRING
THE
WORLD FIRST GREW.

Anonymous – Latin about 4th century

 

 

4
LIVE
48
21
3
1
I
9
9
9
1
O
15
6
6
4
LOVE
54
18
9
10
Add to Reduce
126
54
27
1+0
Reduce to Deduce
1+2+6
5+4
2+7
1
Essence of Number
9
9
9

 

 

-
LOVE
--
-
-
2
L+O
27
9
9
2
V+E
27
9
9
4
LOVE
54
18
18
-
-
5+4
1+8
1+8
4
LOVE
9
9
9

 

 

-
LOVE EVOLVE LOVE
-
-
-
4
LOVE
54
18
9
6
EVOLVE
81
27
9
4
LOVE
54
18
9
10
LOVE EVOLVE LOVE
189
45
18
1+0
-
1+8+9
4+5
1+8
1
LOVE EVOLVE LOVE
18
9
9
-
-
1+8
-
-
1
LOVE EVOLVE LOVE
9
9
9

 

 

-
LOVE EVOLVE LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
2
L+O
27
9
9
2
V+E
27
9
9
14
LOVE EVOLVE LOVE
189
63
63
1+4
-
1+8+9
6+3
6+3
5
LOVE EVOLVE LOVE
18
9
9
-
-
1+8
-
-
5
LOVE EVOLVE LOVE
9
9
9

 

 

-
LOVE EVOLVE LOVE
-
-
-
-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
-
LOVE
-
-
-
-
EVOLVE
-
-
-
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
-
EVOLVE
-
-
-
-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
-
LOVE
-
-
-
14
LOVE EVOLVE LOVE
189
45
45
1+4
-
1+8+9
4+5
4+5
5
LOVE EVOLVE LOVE
18
9
9
-
-
1+8
-
-
5
LOVE EVOLVE LOVE
9
9
9

 

EVOLVE LOVE EVOLVE

 

-
LOVE
-
-
-
2
L+O
27
9
9
2
V+E
27
9
9
4
LOVE
54
18
18
-
-
5+4
1+8
1+8
4
LOVE
9
9
9
-
-
-
-
-
-
-
-
-
-
-
EVOLVE
-
-
-
2
E+V
27
9
9
2
O+L
27
9
9
2
V+E
27
9
9
6
EVOLVE
81
27
27
-
-
8+1
2+7
2+7
6
EVOLVE
9
9
9

 

LOVE EVOLVE LOVE

 

 

DECIPHER

MANKIND HAD 1200 YEARS YEARS

TO CRACK THE CODE WE HAVE

ONE WEEK LEFT

Stel Pavlou

Page 357

24 hours

"We live in a universe of patterns. Every night the stars move in circles across the sky. The seasons cycle at yearly intervals. No two snowflakes are ever exactly the same, but the all have sixfold symmetry. Tigers and zebras are covered in patterns of stripes; leopards and hyenas are covered in pat terns of spots. Intricate trains of waves march across the oceans; very similar trains of sand dunes march across the desert . . . By using mathematics... we have discovered great secret: nature's patterns are not just there to be admired, they are vital clues to the rules that govern natural processes."

Ian Stewart, Nature's Numbers, 1995

 

 

2061

ODYSSEY THREE

Arthur C. Clarke 1987

Page 13 (number 0mitted)

"THE MAGIC MOUNTAIN"

 

 

THE LOST WORLDS OF 2001

Arthur C.Clarke

1972

"Sorry to interrupt the festivities, but we have a problem."
(HAL 9000, during Frank Poole's birthday party)


"Houston, we've had a problem." (Jack Swigert, shortly after playing the

Zarathustra

theme to his TV audience, aboard Apollo 13 Command Module Odyssey)

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1924

Page 706

THE

THUNDERBOLT

 

 

THE DIE IS NOW CAST NOW CAST IS THE DIE

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

 

 

 

 

ENTERS THE E THE E ENTERS

ENTERS THE FIVE THE FIVE ENTERS

 

Word Records > Longest Words This is the longest word in the first edition of the Oxford English Dictionary. Interestingly the most common letter in English, E, does not appear in this ...
www.fun-with-words.com/word_longest.html - Cached - Similar

 

What is the most common letter? | Answerbag What is the most common letter? the bills they keep sending me. ... Im Alec. The most common letters in the English language are, in order, ETAOINSHRDLU. ...
www.answerbag.com/q_view/111800 - Cached - Similar

 

Herbert S. Zim, in his classic introductory cryptography text "Codes and Secret Writing", gives the English letter frequency sequence as "ETAON RISHD LFCMU GYPWB VKXJQ Z", the most common letter pairs as "TH HE AN RE ER IN ON AT ND ST ES EN OF TE ED OR TI HI AS TO", and the most common doubled letters as "LL EE SS OO TT FF RR NN PP CC".[1]

"ETAON RISHD LFCMU GYPWB VKXJQ Z"

 

 

THEN WE ALL STARTED SINGING LOOK AT THE FIVES LOOK AT THE FIVES LOOK

 

ENNEAD AND ENE AND ENNEAD

ENNEAD AND 555 AND ENNEAD

ENNEAD AND ENE AND ENNEAD

 

 

-
-
-
-
-
ENNEAD
-
-
-
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
N
14
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
2
A+D
5
5
5
E
=
5
-
6
ENNEAD
43
25
25
-
-
-
-
-
-
4+3
2+5
2+5
E
=
5
-
6
ENNEAD
7
7
7

 

 

THE WHITE GODDESS

A

historical grammar of poetic myth by

Robert Graves 1948

Chapter 15

Page 121

THE SEVEN PILLARS

The Nile is called Ogygian by Aecschylus, and Eeustathius the Byzantine grammarian says that Ogygia was the earliest name for Egypt.

 

O
=
6
-
OGYGIA
-
-
-
-
-
-
--
--
--
1
O
15
6
6
--
-
6
-
-
-
1
G
7
7
7
-
7
-
-
-
-
1
Y
25
7
7
-
7
-
-
-
-
1
G
16
7
7
-
7
-
-
-
-
1
I
9
9
9
--
-
-
--
--
--
1
A
1
1
1
--
-
1
O
=
6
6
OGYGIA
64
37
37
-
21
7
-
-
-
-
-
6+4
3+7
3+7
-
2+1
-
O
=
6
6
OGYGIA
10
10
10
--
3
7
-
-
-
-
-
1+0
1+0
1+0
-
-
-
O
=
6
6
OGYGIA
1
1
1
--
3
7

 

 

E
=
5
-
EGYPT
-
-
-
-
-
-
--
--
--
1
E
5
5
5
--
-
5
-
-
-
1
G
7
7
7
-
7
-
-
-
-
1
Y
25
7
7
-
7
-
-
-
-
1
P
16
7
7
-
7
-
--
--
--
1
T
20
2
2
--
-
2
E
=
5
5
EGYPT
73
28
28
-
21
7
-
-
-
-
-
7+3
2+8
2+8
-
2+1
-
E
=
5
5
EGYPT
10
10
10
--
3
7
-
-
-
-
-
1+0
1+0
1+0
-
-
-
E
=
5
5
EGYPT
1
1
1
--
3
7

 

 

O
=
6
6
OGYGIA
64
37
1
E
=
5
5
EGYPT
73
28
1
-
-
11
11
-
137
65
2
-
-
1+1
1+1
-
1+3+7
6+5
-
--
--
2
2
--
11
11
2
-
-
-
-
-
1+1
1+1
-
--
--
2
2
--
2
2
2

 

 

10
AEGYPTIACA
88
43
7
5
EGYPT
73
28
1
15
Add to Reduce
161
71
8
1+5
Reduce to Deduce
1+6+1
7+1
-
6
Essence of Number
8
8
8

 

 

-
EGYPT
-
-
-
-
-
-
1
E
5
5
5
-
-
5
1
G
7
7
7
-
7
-
1
Y
25
7
7
-
7
-
1
P
16
7
7
-
7
-
1
T
20
2
2
-
-
2
5
EGYPT
73
28
28
-
21
7
-
-
7+3
2+8
2+8
-
2+1
-
5
EGYPT
10
10
10
--
3
7
-
-
1+0
1+0
1+0
-
-
-
5
EGYPT
1
1
1
-
3
7

 

 

E
=
5
-
5
EGYPT
73
28
1
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PHARAOH
67
40
4
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PYRAMID
86
41
5
-
-
-
-
-
-
-
-
-
-
-
19
-
19
Add
226
109
10
-
-
1+9
-
1+9
Reduce
2+2+6
2+2+5
1+0
-
-
10
-
10
Deduce
10
10
1
-
-
1+0
-
1+0
Produce
1+0
1+0
-
-
-
1
-
1
Essence
1
1
1

 

 

R
=
9
8
RAMESSES
99
27
9

 

 

RAMESSES

Egypt's Greatest Pharaoh

Joyce Tyldesley 2000

Page xxvi

"The Egyptians wrote their hieroglyphic texts without vowels, using consonants not found in our modern alphabet. In consequence, although we can read and understand the ancient writings we cannot be certain of the correct pronunciation of any word or name. This explains why different authors refer to the same individual by seemingly different names. Ramesses II, for example, variously appears in print as Ramesses, Ramses, Ramesse and Remeses while Queen Nefertari occasionally occurs as Nofretari. Throughout this book the most simple, and widely accepted version of each proper name has been used with Ramesses preferred to the increasingly popular Ramses as the former most accurately represents the original Egyptian name. I follow current convention in using the words king and pharaoh interchangeably."

Page 1

1

Introducing Ramesses

"Some of Egypt's kings and queens have emerged from the obscurity of the tomb in sudden and spectacular fashion. The decoding of hieroglyphics, a tantalizing mystery until 1822, revealed the unexpected existence of the two aberrant New Kingdom pharaohs Hatchepsut and Akhenaten. The 1912 recovery of a magnificent portrait head from the ruined city of Amarna brought the beautiful Queen Nefertiti back to life, Above all, the unparalleled 1922 discovery of a virtually intact royal tomb in the Valley of the Kings allowed the hitherto insignificant boy-king Tutankha-men to triumph over death. Ramesses II, however, has never been in need of such a renaissance. Over the three millennia that have passed since his reign, his name - albeit in a distorted form - has never been forgotten.
Sixty-six relatively peaceful years on the throne had allowed Ramesses ample opportunity for self-promotion. By the time of his death in 1213 BC his monuments and image were to be found in every comer of his realm, The name of Ramesses was known and respected throughout the varied but inter-related kingdoms which made up what archaeologists now term the' Ancient World' - a wide circle of states encompassing Northern Turkey, Iran, Central Africa, Libya and the Balkans and extending as far west as Italy and even Spain. Within Egypt the highly efficient royal propaganda machine had elevated Ramesses to the status of living legend with divine attributes. In Nubia, Ramesses had already become a fully fledged god. A fortunate combination of circumstances - optimal Nile floods leading to good harvests, international stability and, of course, the extraordinary longevity which caused Ramesses to outlive not only his contemporaries but many of his children and grandchildren - had allowed Egypt to enjoy a continuity of government which was the envy of her neighbours. Whether by good luck or good management, Egypt flourished under Ramesses, and her people were grateful"

Page 34

A NEW BEGINNING: LIFE BEFORE RAMESSES

"Quietly and effectively, Horemheb laid the foundations for a renewed Egyptian prosperity whilst systematically erasing all trace of the unorthodox Amama period. This is generally regarded as an impersonal, political cleansing rather than a frenzied hate campaign; we have little evidence to suggest that Horemheb bore a personal grudge against Akhenaten and his god, although the dismantling and subsequent reconstruction, upside-down and mutilated, of Queen Nefertiti' s Theban Ben-ben temple within his own Karnak gateway hints at more complex feelings towards his sister-in-law. Could Horemheb's apparent dislike of Nefertiti have stemmed from his bad relationship with her daughter Ankhesenamen? Ultimately, however, Horemheb was too closely identified with the economic and military decline which ended the 18th Dynasty to escape entirely from the Amama shadow. Manetho chose to classify Horemheb, whom he knew as Oros, as the last king of the ailing 18th Dynasty and it was Horemheb's protege and successor, Ramesses I, a man with no personal links with the Amarna period, who was to be celebrated as the founder of the 19th.
Like his three immediate predecessors Horemheb had no son to follow him on to the throne and he too looked to the army for an heir, a sensible decision which would ensure that his successor would enjoy the full support of the military. Horemheb selected an ex-officer turned adminis­trator called Paramessu, or Ramesses, son of the Commander of Troops Seti. This Ramesses, a near-contemporary of Horemheb, had proved his / Page 35 / abilities through many years of loyal service, first as a soldier where he rose to the position of General, and then as one of Egypt's two Viziers. In many ways his career mirrored that of Horemheb before him, but there was one important difference: Ramesses and his wife Sitre already had a living son and a living grandson, and therefore had the potential to found a dynasty. When Ramesses died after less than two years as king, Horemheb's judgement was vindicated. The throne passed smoothly to Ramesses' son Seti and Egypt was spared the doubts and uncertainties that had plagued her immediate past. Meanwhile, it now fell to Ramesses to bury Horemheb."

 

 

8
RAMESSES
-
-
-
-
R
18
9
9
-
A
1
1
1
-
M+E
18
9
9
-
S+S+E+S
62
35
8
8
RAMESSES
99
54
27
-
-
9+9
5+4
2+7
8
RAMESSES
18
9
9
-
-
1+8
-
-
8
RAMESSES
9
9
9

 

 

8
RAMESSES
-
-
-
-
R+A
19
10
1
-
M+E+S+S+E+S
80
44
8
8
RAMESSES
99
54
9
-
-
9+9
5+4
-
8
RAMESSES
18
9
9
-
-
1+8
-
-
8
RAMESSES
9
9
9

 

 

8
RAMESSES
-
-
-
-
R
18
9
9
-
A+M+E+S+S+E+S
81
18
9
8
RAMESSES
99
27
18
-
-
9+9
2+7
1+8
8
RAMESSES
18
9
9
-
-
1+8
-
-
8
RAMESSES
9
9
9

 

Page 2

"Ramesses III was followed by his son, Ramesses IV, another Ramesses a wannabe', and then by a further six called Ramesses, a jumbled mixture of fathers sons, uncles and nephews all descended from Ramesses III :and all 'attempting to emulate the great Ramesses II"

Page 2

" Meanwhile the cult of the divine RAMESSES as a living god, continued to flourish."

 

 

Ramesses - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Ramesses

Ramesses also commonly spelled Rameses or Ramses is the name conventionally given in English transliteration to 11 Egyptian pharaohs of the later New ...
Ramesses II - ‎Ramesses I - ‎Ramesses III - ‎Ramesses XI

Ramesses

From Wikipedia, the free encyclopedia

Ramesses
in hieroglyphs

Ramesses (/ˈræməsiːz/) — also commonly spelled Rameses or Ramses (/ˈræmsiːz/) — is the name conventionally given in English transliteration to 11 Egyptian pharaohs of the later New Kingdom period. The name Ramesses means "Ra [is] the one who gave birth [to] him".

Variants of the name include Ramose and Paramessu; these various spellings could be used to refer to the same person.[1]
19th Dynasty Ramesses I: founder of the 19th Dynasty
Ramesses II ("the Great")
20th Dynasty Ramesses III: adversary of the Sea Peoples
Ramesses IV
Ramesses V
Ramesses VI
Ramesses VII
Ramesses VIII
Ramesses IX
Ramesses X
Ramesses XI

 

 

8

RAMESSES

I
1293-1291
99
27
9

8

RAMESSES

II
1279-1212
99
27
9

8

RAMESSES

III
1182-1151
99
27
9

8

RAMESSES

IV
1151-1145
99
27
9

8

RAMESSES

V
1145-1141
99
27
9

8

RAMESSES

VI
1141-1133
99
27
9

8

RAMESSES

VII
1133-1126
99
27
9

8

RAMESSES

VIII
1133-1126
99
27
9

8

RAMESSES

IX
1126-1108
99
27
9

8

RAMESSES

X
1108-1098
99
27
9

8

RAMESSES

XI
1098-1070
99
27
9

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

King of Kings

Page 331

Nowhere is Ramesses's taste for the theatrical and self-reverential better demonstrated than in the 'Temple of Ramesses-beloved of /Amun' (modern Abu Simbel) in lLower Nubia.

 

 

Q
Q
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
ABU SIMBEL
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=-
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
U
=-
3
-
1
U
21
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=-
9
-
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
B
=-
2
-
1
B
2
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
L
=-
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
Q
Q
30
Q
9
ABU SIMBEL
84
39
30
-
2
4
6
4
5
6
7
8
9
-
-
3+0
-
-
-
8+4
3+9
3+0
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
ABU SIMBEL
12
12
3
-
2
4
6
4
5
5
7
8
9
-
-
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
9
ABU SIMBEL
3
3
3
-
2
4
6
4
5
5
7
8
9

 

 

Q
Q
-
-
-
-
-
-
-
-
1
2
3
4
5
9
-
-
-
-
-
ABU SIMBEL
-
-
-
-
-
-
-
-
-
-
A
=-
1
-
1
A
1
1
1
-
1
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
U
=-
3
-
1
U
21
3
3
-
-
-
3
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
I
=-
9
-
1
I
9
9
9
-
-
-
-
-
-
9
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
B
=-
2
-
1
B
2
2
2
-
-
2
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
L
=-
3
-
1
L
12
3
3
-
-
-
3
-
-
-
Q
Q
30
Q
9
ABU SIMBEL
84
39
30
-
2
4
6
4
5
9
-
-
3+0
-
-
-
8+4
3+9
3+0
-
-
-
-
-
-
-
-
-
3
-
9
ABU SIMBEL
12
12
3
-
2
4
6
4
5
9
-
-
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
3
-
9
ABU SIMBEL
3
3
3
-
2
4
6
4
5
9

 

 

Q
Q
-
-
-
-
-
-
-
-
1
2
3
4
5
9
-
-
-
-
-
ABU SIMBEL
-
-
-
-
-
-
-
-
-
-
A
=-
1
-
1
A
1
1
1
-
1
-
-
-
-
-
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
B
=
2
-
1
B
2
2
2
-
-
2
-
-
-
-
B
=-
2
-
1
B
2
2
2
-
-
2
-
-
-
-
U
=-
3
-
1
U
21
3
3
-
-
-
3
-
-
-
L
=-
3
-
1
L
12
3
3
-
-
-
3
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
I
=-
9
-
1
I
9
9
9
-
-
-
-
-
-
9
Q
Q
30
Q
9
ABU SIMBEL
84
39
30
-
2
4
6
4
5
9
-
-
3+0
-
-
-
8+4
3+9
3+0
-
-
-
-
-
-
-
-
-
3
-
9
ABU SIMBEL
12
12
3
-
2
4
6
4
5
9
-
-
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
-
-
-
3
-
9
ABU SIMBEL
3
3
3
-
2
4
6
4
5
9

 

 

Page 88

"The LUXOR TEMPLE, dedicated to AMEN in th form of the ithyphallic god MIN"

 

AMEN THE NAME

 

-
MIN
-
-
-
-
M
13
4
4
-
I
9
9
9
-
N
14
5
5
3
MIN
36
18
18
-
-
3+6
1+8
1+8
3
MIN
9
9
9

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page XIV

EARLY DYNASTIC PERIOD 2950-2575

Unification of Egypt

Narmer

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
N
14
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
R
18
9
9
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
14
5
5
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

R NAME R

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
N
14
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
5
5
5
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

R NAME R

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
N+A+M+E
33
15
6
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

R NAME R

 

 

M
=
4
-
5
MENES
-
-
-
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
5
5
5
-
-
-
-
-
N
14
5
5
-
-
-
-
-
E
5
5
5
-
-
-
-
-
S
19
10
1
M
=
4
-
5
MENES
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
M
=
4
-
5
MENES
11
11
2
-
-
-
-
-
-
1+1
1+1
-
M
=
4
-
5
MENES
2
2
2

 

 

M
=
4
-
5
MENES
-
-
-
-
-
-
-
-
S
19
10
1
-
-
-
-
-
E
5
5
5
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
5
5
5
-
-
-
-
-
N
14
5
5
M
=
4
-
5
MENES
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
M
=
4
-
5
MENES
11
11
2
-
-
-
-
-
-
1+1
1+1
-
M
=
4
-
5
MENES
2
2
2

 

 

Menes

From Wikipedia, the free encyclopedia

This article is about the Pharaoh. For the H. P. Lovecraft character, see The Cats of Ulthar. For the Macedonian general, see Menes of Pella. For the Romanian village of Miniş, called Ménes in Hungarian, see Ghioroc.

Menes

Africanus: Mênês
Eusebius: Mênês
The cartouche of Menes on the Abydos King List
The cartouche of Menes on the Abydos King List

Pharaoh

Successor
Hor-Aha?

Menes (/ˈmiːniːz/; Egyptian: Mnj, probably pronounced */maˈnij/;[5] Ancient Greek: Μήνης;[4] Arabic: مينا‎) was an ancient Egyptian pharaoh of the early dynastic period, credited by classical tradition with having united Upper and Lower Egypt, and as the founder of the first dynasty (Dynasty I).[6]

The identity of Menes is the subject of ongoing debate, although mainstream Egyptological consensus identifies Menes with the protodynastic pharaoh Narmer[1][2][3] (most likely) or first dynasty Hor-Aha.[7] Both pharaohs are credited with the unification of Egypt, to different degrees by various authorities.

The commonly used Menes derives from Manetho, an Egyptian historian and priest who lived during the Ptolemaic period. Manetho used the name in the form Μήνης (transliterated: Mênês).[4][8] An alternative Greek form, Μιν (transliterated: Min), was cited by the 5th-century BCE historian Herodotus,[9] a variant no longer considered the result of contamination from the name of the god Min.[10]

The Egyptian form, Meni, is taken from the Turin and Abydos king lists (dated Dynasty XIX).

The name, Menes, means "He who endures", which, Edwards (1971) suggests, may have been coined as "a mere descriptive epithet denoting a semi-legendary hero [...] whose name had been lost".[4] Rather than a particular person, the name may conceal collectively the protodynastic pharaohs Ka, Scorpion and Narmer.[4]

§Narmer and Menes[edit]

Main article: Narmer

The almost complete absence of any mention of Menes in the archaeological record,[4] and the comparative wealth of evidence of Narmer, a protodynastic figure credited by posterity and in the archaeological record with a firm claim[2] to the unification of Upper and Lower Egypt, has given rise to a theory identifying Menes with Narmer.

The chief archaeological reference to Menes is an ivory label from Naqada which shows the royal Horus-name Aha (the pharaoh Hor-Aha) next to a building, within which is the royal nebty-name mn,[11] generally taken to be Menes.[4][a] From this, various theories on the nature of the building (a funerary booth or a shrine), the meaning of the word mn (a name or the verb endures) and the relationship between Hor-Aha and Menes (as one person or as successive pharaohs) have arisen.[1]

The Turin and Abydos king lists, generally accepted to be correct,[1] list the nebty-names of the pharaohs, not their Horus-names,[2] and are vital to the potential reconciliation of the various records: the nebty-names of the king lists, the Horus-names of the archaeological record and the number of pharaohs in Dynasty I according to Manetho and other historical sources.[2]

Petrie first attempted this task,[2] associating Iti with Djer as the third pharaoh of Dynasty I, Teti (Turin) (or another Iti (Abydos)) with Hor-Aha as second pharaoh, and Menes (a nebty-name) with Narmer (a Horus-name) as first pharaoh of Dynasty I.[1][2] Lloyd (1994) finds this succession "extremely probable",[2] and Cervelló-Autuori (2003) categorically states that "Menes is Narmer and the First Dynasty begins with him".[3] However, Seidlmayer (2004) states that it is "a fairly safe inference" that Menes was Hor-Aha.[7]

§Dates[edit]

Egyptologists, archaeologists and scholars from the 19th century have proposed different dates for the era of Menes, or the date of the first dynasty:[12][b]
Jean-François Champollion (1840) – 5867 BC
August Böckh (1845) – 5702 BC
Auguste Mariette (1871) – 5004 BC
Flinders Petrie (1887) – 4777 BC
Heinrich Karl Brugsch (1859) – 4455 BC
Franz Joseph Lauth (1869) – 4157 BC
Karl Richard Lepsius (1856) – 3892 BC
Christian Charles Josias Bunsen (1848) – 3623 BC
Reginald Stuart Poole (1851) – 2717 BC
James Strong (1878) – 2515 BC
John Gardner Wilkinson (1835) – 2320 BC

Modern consensus dates the era of Menes or the start of the first dynasty between c. 3100–3050 BC; some academic literature uses c. 3000 BC.[13]

§History[edit]

By 500 BC mythical and exaggerated claims had made Menes a cultural hero, and most of what is known of him comes from a much later time.[14]

Ancient tradition ascribed to Menes the honor of having united Upper and Lower Egypt into a single kingdom,[15] and becoming the first pharaoh of Dynasty I.[16]

However, his name does not appear on extant pieces of the Royal Annals (Cairo Stone and Palermo Stone), which is a now-fragmentary king's list that was carved onto a stela during the Fifth dynasty. He typically appears in later sources as the first human ruler of Egypt, directly inheriting the throne from the god Horus.[17] He also appears in other, much later, king's lists, always as the first human pharaoh of Egypt. Menes also appears in demotic novels of the Graeco-Roman Period, demonstrating that, even that late, he was regarded as important figure.[18]

Menes was seen as a founding figure for much of the history of Ancient Egypt, similar to Romulus in Ancient Rome.[19]

Manetho records that Menes "led the army across the frontier and won great glory".[8][16]

§Capital[edit]

Manetho associates the city of Thinis with the first dynasties (Dynasty I and Dynasty II) and, in particular, Menes, a "Thinite" or native of Thinis.[8][16] Herodotus contradicts Manetho in stating that Menes founded the city of Memphis as his capital[20] after diverting the course of the River Nile through the construction of a dyke.[21] Manetho ascribes the building of Memphis to Menes' son, Athothis,[16] and calls no pharaohs earlier than Dynasty III "Memphite".[22] Herodotus and Manetho's stories of the foundation of Memphis are probably later inventions: in 2012 a relief mentioning the visit of Memphis by Iry-Hor --a predynastic ruler of Upper Egypt reigning before Namer-- was discovered in Sinai, indicating that the city was already in existence in the early 32nd century BC.[23]

§Cultural influence[edit]

Diodorus Siculus stated that Menes had introduced the worship of the gods and the practice of sacrifice[24] as well as a more elegant and luxurious style of living.[24] For this latter invention, Menes' memory was dishonoured by the Dynasty XXIV pharaoh Tefnakht, and Plutarch mentions a pillar at Thebes on which was inscribed an imprecation against Menes as the introducer of luxury.[24]

In Pliny's account, Menes was credited with being the inventor of writing in Egypt.

§Crocodile episode[edit]

Diodorus Siculus recorded a story of Menes,[25] related by the priests of the crocodile-god Sobek at Crocodilopolis, in which the pharaoh Menes, attacked by his own dogs while out hunting,[26] fled across Lake Moeris on the back of a crocodile and, in thanks, founded the city of Crocodilopolis.[26][27]

Faber (1816), taking the word campsa to mean either crocodile or ark and preferring the latter, identifies Menes with Noah and the entire story as a deluge myth.[28]

Edwards (1974) states that "the legend, which is obviously filled with anachronisms, is patently devoid of historical value",[27] but Maspero (1910), while acknowledging the possibility that traditions relating to other kings may have become mixed up with this story, dismisses the suggestions of some commentators[24] that the story should be transferred to the Dynasty XII pharaoh Amenemhat III and sees no reason to doubt that Diodorus did not correctly record a tradition of Menes.[26]

§Death[edit]

According to Manetho, Menes reigned for 62 years and was killed by a hippopotamus.[8][16]

 

Menes | biography - king of Egypt | Encyclopedia Britannica

www.britannica.com/EBchecked/topic/374923/Menes

Menes, also spelled Mena, Meni, or Min (flourished c. 2925 bce), first king of unified Egypt, who, according to ancient tradition, joined Upper and Lower Egypt in ...

 

M
=
4
-
5
MENES
-
-
-
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
5
5
5
-
-
-
-
-
N
14
5
5
-
-
-
-
-
E
5
5
5
-
-
-
-
-
S
19
10
1
M
=
4
-
5
MENES
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
M
=
4
-
5
MENES
11
11
2
-
-
-
-
-
-
1+1
1+1
-
M
=
4
-
5
MENES
2
2
2

 

 

M
=
4
-
5
MENES
-
-
-
-
-
-
-
-
M+S
32
14
5
-
-
-
-
-
E
5
5
5
-
-
-
-
-
N
14
5
5
-
-
-
-
-
E
5
5
5
M
=
4
-
5
MENES
56
29
20
-
-
-
-
-
-
5+6
2+9
2+0
M
=
4
-
5
MENES
11
11
2
-
-
-
-
-
-
1+1
1+1
-
M
=
4
-
5
MENES
2
2
2

 

 

-
MIN
-
-
-
-
M
13
4
4
-
I
9
9
9
-
N
14
5
5
3
MIN
36
18
18
-
-
3+6
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1+8
3
MIN
9
9
9

 

THE

MIND OF MIN

 

 

Y
=
7
-
9
YESTERDAY
122
41
5
T
-
2
-
5
TODAY
65
20
2
T
=
2
-
8
TOMORROW
137
47
2
-
-
11
-
22
-
207
108
9
-
-
1+1
-
2+2
-
3+2+4
1+0+8
-
-
-
2
-
4
-
9
9
3

 

 

-
-
-
-
-
MANETHO
-
-
-
M
=
4
-
1
M
13
4
4
A
=
1
-
1
A
1
1
1
N
=
5
-
1
N
14
5
5
E
=
5
-
1
E
5
5
5
T
=
2
-
1
T
20
2
2
H
=
8
-
1
H
8
8
8
O
=
6
-
1
O
15
6
6
-
-
31
-
7
MANETHO
76
31
31
-
-
3+1
-
-
-
7+6
3+1
3+1
-
-
4
-
7
MANETHO
13
4
4
-
-
-
-
-
-
1+3
-
-
-
-
4
-
7
MANETHO
4
4
4

 

 

-
-
-
-
-
MANETHO
-
-
-
N
=
5
-
1
N
14
5
5
A
=
1
-
1
A
1
1
1
M
=
4
-
1
M
13
4
4
E
=
5
-
1
E
5
5
5
T
=
2
-
1
T
20
2
2
H
=
8
-
1
H
8
8
8
O
=
6
-
1
O
15
6
6
-
-
31
-
7
MANETHO
76
31
31
-
-
3+1
-
-
-
7+6
3+1
3+1
-
-
4
-
7
MANETHO
13
4
4
-
-
-
-
-
-
1+3
-
-
-
-
4
-
7
MANETHO
4
4
4

 

 

8

RAMESSES

I
1293-1291
99
27
9

8

RAMESSES

II
1279-1212
99
27
9

8

RAMESSES

III
1182-1151
99
27
9

8

RAMESSES

IV
1151-1145
99
27
9

8

RAMESSES

V
1145-1141
99
27
9

8

RAMESSES

VI
1141-1133
99
27
9

8

RAMESSES

VII
1133-1126
99
27
9

8

RAMESSES

VIII
1133-1126
99
27
9

8

RAMESSES

IX
1126-1108
99
27
9

8

RAMESSES

X
1108-1098
99
27
9

8

RAMESSES

XI
1098-1070
99
27
9

 

 

7

PTOLEMY

I
106
34
7

7

PTOLEMY

II
106
34
7

7

PTOLEMY

III
106
34
7

7

PTOLEMY

IV
106
34
7

7

PTOLEMY

V
106
34
7

7

PTOLEMY

VI
106
34
7

7

PTOLEMY

VII
106
34
7

7

PTOLEMY

VIII
106
34
7

7

PTOLEMY

IX
106
34
7

7

PTOLEMY

X
106
34
7

7

PTOLEMY

XI
106
34
7

7

PTOLEMY

XII
106
34
7
7

PTOLEMY

XIII
106
34
7
7

PTOLEMY

XIV
106
34
7
7

PTOLEMY

XV
106
34
7
9

CLEOPATRA

-
91
37
1

 

 

P
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PTOLEMY
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27
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-
-
-
-
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E+M
18
9
9
-
-
-
-
1
Y
25
7
7
P
=
7
-
7
PTOLEMY
106
34
34
-
-
-
-
-
-
9+5
3+4
3+4
P
=
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-
7
PTOLEMY
7
7
7
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PTOLEMY
7
7
7

 


Ptolemy

ircamera.as.arizona.edu/NatSci102/NatSci102/lectures/ptolemy.htm

Ptolemy. lived around 150 AD, and elaborated the geocentric (earth-centered) model of the ... Ptolemy's epigram, from the

 

Well do I know that I am mortal, a creature of one day.
But if my mind follows the winding paths of the stars
Then my feet no longer rest on earth, but standing by
Zeus himself I take my fill of ambrosia, the divine dish.

- Ptolemy's epigram, from the Almagest, probably written by himself

 

P
=
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-
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PTOLEMY
-
-
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7
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20
2
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O
15
6
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-
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12
3
3
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E
5
5
5
-
-
-
-
1
M
13
4
4
-
-
-
-
1
Y
25
7
7
P
=
7
-
7
PTOLEMY
106
34
34
-
-
-
-
-
-
1+0+6
3+4
3+4
P
=
7
-
7
PTOLEMY
7
7
7
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PTOLEMY
7
7
7

 

 

Ptolemies - Livius

www.livius.org › index › ancient Greeceancient Egypt

This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.

In 332, the Macedonian king Alexander the Great conquered Egypt and gave a new capital to the old kingdom along the Nile, Alexandria. After his death (11 June 323), his friend Ptolemy became satrap of Egypt, and started to behave himself rather independently. When Perdiccas, the regent of Alexander's mentally unfit successor Philip Arridaeus arrived in 320, he was defeated. This marked the beginning of Egypt's independence under a new dynasty, the Ptolemies (or Lagids). Ptolemy accepted the royal title in 306.

The fourteen kings of this dynasty were all called Ptolemy and are numbered by modern historians I to XV (Ptolemy VII never reigned). A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), who rose to power when their sons or brothers were too young. This was almost unique in Antiquity. Another intriguing aspect was the willingness of the Ptolemies to present themselves to the Egyptians as native pharaohs (cf. the pictures below, some of which are in Egyptian style). This was less unique: the Seleucid dynasty that reigned the Asian parts of Alexander's empire did the same.

"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "

The fourteen kings of this dynasty were all called Ptolemy

 

P
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-
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PTOLEMY
-
-
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-
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P+T
36
9
9
-
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O+L
27
9
9
-
-
-
-
2
E+M
18
9
9
-
-
-
-
1
Y
25
7
7
P
=
7
-
7
PTOLEMY
106
34
34
-
-
-
-
-
-
1+0+6
3+4
3+4
P
=
7
-
7
PTOLEMY
7
7
7
-
-
-
-
-
-
-
-
-
P
=
7
-
7
PTOLEMY
7
7
7

 

The fourteen kings of this dynasty were all called Ptolemy

1
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
2
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
3
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
4
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
5
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
6
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
7
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
8
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
9
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
10
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
11
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
12
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
13
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
14
-
P
=
7
-
7
PTOLEMY
106
34
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1484
476
238
-
-
-
-
-
-
-
-
1+4+8+4
4+7+6
2+3+8
-
-
-
-
-
-
-
-
17
17
17
-
-
-
-
-
-
-
-
1+7
1+7
1+7
-
-
-
-
-
-
-
-
8
8
8

 

 

"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "

 

1
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
2
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
3
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
4
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
5
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
6
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
7
-
C
=
3
-
9
CLEOPATRA
91
37
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
637
259
7
-
-
-
-
-
-
-
-
6+3+7
2+5+9
-
-
-
-
-
-
-
-
-
16
16
7
-
-
-
-
-
-
-
-
1+6
1+6
-
-
-
-
-
-
-
-
-
7
7
7

 

 

"A remarkable aspect of the Ptolemaic monarchy was the prominence of women (seven queens named Cleopatra and four Berenices), "

1
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
2
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
3
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
4
-
B
=
2
-
8
BERENICE
61
43
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
244
172
28
-
-
-
-
-
-
-
-
2+4+4
1+7+2
2+8
-
-
-
-
-
-
-
-
10
10
10
-
-
-
-
-
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
1
1
1

 

 

B
=
2
-
8
BERENICE
61
43
7
P
=
7
-
7
PTOLEMY
106
34
7
C
=
3
-
9
CLEOPATRA
91
37
1

 

 

-
-
-
-
-
SHABTI
-
-
-
S
=
1
-
1
S
19
10
1
H
=
8
-
1
H
8
8
8
A
=
1
-
1
A
1
1
1
B
=
2
-
1
B
2
2
2
T
=
2
-
1
T
20
2
2
I
=
9
-
1
I
9
9
9
-
-
23
-
6
SHABTI
59
32
23
-
-
2+3
-
-
-
5+9
3+2
2+3
-
-
5
-
6
SHABTI
14
5
5
-
-
-
-
-
-
1+4
-
-
-
-
5
-
6
SHABTI
5
5
5

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

END OF INNOCENCE (2175-1541 BC)

PARADISE POSTPONED


Page 155

O shabti, detailed to (serve) me ... if I am summoned or if I am detailed to do any work which is to be done in the afterlife ... you shall detail yourself to me every time, (whether) for maintaining the fields, irrigating the banks or ferrying sand from east to west. 'Look, here I am', you shall say.'
When it came to life after death, a shabti was the perfect insurance policy.

Truth will out
One final, crucial aspect of the afterlife adventure also made its first appearance in the years following the collapse of the Old Kingdom. Like the Coffin Texts, magical objects and servant figurines, the concept of a last judgement reflected the mixture of hope and fear that beset the ancient Egyptians in their musings about life after death. Perhaps more than any other feature of Egyptian religion, the idea of a final, inevitable reckoning before a divine judge had a profound and lasting impact on the subsequent development of pharaonic beliefs. Unlike hedgehogs, hippos and shabtis, the last judgement was picked up by other religious traditions of the Near East as well notably Christianity.
The imaginary geography of The Book of Two Ways began with the Island of Fire, where the wicked were consumed in flames but the good were provided with refreshing water for their arduous journey through the underworld. The concept of 'trial by fire' is an ancient one, but this relatively simplistic notion of judgement — whereby the unrighteous dead were separated from the righteous by means of /Page 156/ a single, swift test — was itself to be refined in the flames of social. change. Once again, the shattered illusions that accompanied thie break-up of the Egyptian state proved a fertile breeding ground for new ideas. In troubled times, death came to be seen not as a transition to another dimension of creation, but as a discontinuiry, a break that might prove terminal. Whether an individual achieved rebirth as a divine being or suffered a second death depended on his or her own actions during life. The literary text known as The Instruction for Merikara, purportedly composed by a Herakleopolitan king, summed up this new belief:

When a man remains after passing away,

His deeds are set alongside him . . .

He who reaches (the next life) without wrongdoings

Will exist there like a god . . . 3

In this scheme of things, virtue was no longer enough: it had to be accompanied by freedom from vice. In inscriptions of the period, the boastfulness and bombast typical of Old Kingdom autobiographies are joined for the first time by notes of doubt and defensiveness. A man might enumerate his many qualities and achievements but also take pains to state 'I never spoke a falsehood against any living person'.4 The 'negative confession', a declaration not to have committed a prescribed list of wrongful acts, became an essential component of the judgement process.
Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit. From such tentative beginnings, the concept of judgement rapidly acquired a central place in Egyptian funerary religion, to the extent that the term 'true of voice' became the most common euphemism for 'deceased'. In a society as / Page 157/ obsessed with bureaucracy and accountancy as ancient Egypt, it is perhaps not surprising that theologians imagined the weighing of a' poison's worth taking place on a giant set of goldsmith's scales. The accuracy of the balance perfectly expressed the unerring judgement of the divine tribunal. A spell from the Coffin Texts describes the scales as 'that balance of Ra on which Maat is lifted up',5 indicating that the judgement is authorised by Ra himself, god of the sun and of creation, and that the deeds of the deceased are to be weighed against Maat, the goddess of truth. In this ultimate assessment, there was no room for cheating. The outcome of the judgement process was visualised as a division of the deceased between the justified and the unjust, `numbering the dead and counting the blessed spirits'.6 The differing fates of the two groups were crystal clear.
With eternal survival at stake in the last judgement, the fevered Egyptian imagination swung into action. Conceiving further hurdles hand in hand with the means of overcoming them seems to have given the ancient Egyptians the courage to face the uncertainties of death. In the case of judgement before the tribunal, the greatest danger was that one's own heart — seat of the intellect, fount of emotion and storehouse of memories — might decide to bear false witness and so tip the balance against a favorable verdict. To counter this awful risk, powerful magic was required. Somehow, the heart had to be prevented from blurting out untruths (or hidden truths) that might seal its owner's fate. The ingenious solution was a new type of amulet, first introduced into burials in the late Middle Kingdom. It took the familiar shape of a scarab beetle, a potent symbol of rebirth (because young beetles hatch from a ball of dung, emblematic of death and decay). But unlike the usual scarab amulets it had a human head and was engraved with a protective spell, addressed to the heart. After the body had undergone mummification, the 'heart scarab' was placed over the heart, with clear instructions as to how the organ should behave at the moment of truth:

Do not stand up against me

Do not witness against me,

Do not oppose me in the tribunal,

Do not incline against me ... 7

Page 158

158
In time the heart itself came to stand for the deceased and his deeds, and the pictorial representation of the 'weighing of the heart' against the feather of Truth became an essential image for inclusion on a funerary papyrus, an encapsulation of the final judgement. It remains one of the most instantly recognisable, characteristic and evocative scenes from the entire repertoire of ancient Egyptian art.
And the concept of a 'dreadful day of judgement, when the secrets of all hearts shall be disclosed' is still with us, four thousand years later.

 

 

Page 156

Vindication before the divine tribunal required more, however, than a mere denial of wrong doing. It involved a fundamental assessment of a person's true worth, a weighing of their good and bad deeds in order to arrive at a balanced judgement of their character. Only those who passed this 'calculation of differences' were deemed fit to join Osiris and live for ever. On his stela from Abdju, the Eleventh Dynasty general Intef confidently proclaims that 'his voice is true in the calculation of differences'. In other words, he has been justified and found worthy of resurrection as a transfigured spirit.”

'his voice is true in the calculation of differences'

 

HIS VOICE IS TRUE IN THE CALCULATION OF DIFFERENCES

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
H
=
8
-
3
HIS
36
18
9
-
-
-
-
-
-
-
-
-
9
V
=
4
-
5
VOICE
54
27
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
4
TRUE
64
19
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
C
=
3
-
11
CALCULATION
111
39
3
-
-
-
3
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
D
=
4
-
11
DIFFERENCES
94
58
4
-
-
-
-
4
-
-
-
-
-
-
-
47
-
43
First Total
464
212
41
-
2
2
6
4
5
6
7
8
18
-
-
4+7
-
4+3
Add to Reduce
4+6+4
2+1+2
4+1
-
-
-
-
-
-
-
-
-
1+8
-
-
11
-
7
Second Total
14
5
5
-
2
2
6
4
5
6
7
8
9
-
-
1+1
-
-
Reduce to Deduce
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
-
7
Essence of Number
5
5
5
-
2
2
6
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
3
4
5
6
9
H
=
8
-
3
HIS
36
18
9
-
-
-
-
-
-
9
V
=
4
-
5
VOICE
54
27
9
-
-
-
-
-
-
9
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
T
=
2
-
4
TRUE
64
19
1
-
1
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
5
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
6
-
C
=
3
-
11
CALCULATION
111
39
3
-
-
3
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
3
-
-
-
-
D
=
4
-
11
DIFFERENCES
94
58
4
-
-
-
4
-
-
-
-
-
47
-
43
First Total
464
212
41
-
2
6
4
5
6
18
-
-
4+7
-
4+3
Add to Reduce
4+6+4
2+1+2
4+1
-
-
-
-
-
-
1+8
-
-
11
-
7
Second Total
14
5
5
-
2
6
4
5
6
9
-
-
1+1
-
-
Reduce to Deduce
1+4
-
-
-
-
-
-
-
-
-
-
-
2
-
7
Essence of Number
5
5
5
-
2
6
4
5
6
9

 

 

ATUM

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
8
TOTALITY
87
42
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
3
AND
23
14
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
12
NONEXISTENCE
79
25
7
-
-
-
-
-
-
-
7
-
-
-
-
8
-
23
-
288
99
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=
1
-
4
ATUM
55
10
1
-
1
-
-
-
-
-
-
-
-
M
=
4
-
5
MEANS
52
16
7
-
-
-
-
-
-
-
7
-
-
B
=
2
-
4
BOTH
45
18
9
-
-
-
-
-
-
-
-
-
9
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
-
-
16
-
15
-
180
54
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
24
-
38
First Total
468
153
36
-
2
2
3
4
5
6
14
8
9
-
-
2+4
-
3+8
Add to Reduce
4+6+8
1+5+3
3+6
-
-
-
-
-
-
-
1+4
-
-
-
-
6
-
11
Second Total
18
18
18
-
2
2
3
4
5
6
5
8
9
-
-
-
-
1+1
Reduce to Deduce
1+8
1+8
1+8
-
-
-
-
-
-
-
-
-
-
-
-
6
-
2
Essence of Number
9
9
9
-
2
2
3
4
5
6
5
8
9

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock 1996

Page 254

"...Is there in any sense an interstellar Rosetta Stone?

We believe there is a common language that all technical civilizations, no matter how different, must have.

That common language is science and mathematics.

The laws of Nature are the same everywhere:..."

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
Q
-
1
-
3
Essence of Number
9
9
9

 

 

"...Is there in any sense an interstellar Rosetta Stone?

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

CHANGE AND DECAY (1069-30 BC)

THE LONG GOODBYE

Page 480

Rebellion!

The Ptolemies may have sought to project an image of divine authority, but their view of themselves as benevolent rulers was by no means universally shared. After only two generations of Greek rule, elements of the Egyptian population decided to vent their frustration at the punitive economic policies imposed by their foreign masters. In 245, Ptolemy III was forced to break off his campaigning during the Third Syrian War to deal with a native revolt. It was a minor and short-lived insurrection, but the harbinger of worse to come. Resentment festered for another three decades, kept at bay by the Ptolemies' machinery of repression.
Ironically, the last straw was a famous military victory. In 217, after a Fourth Syrian War had been raging for two years, the forces of Ptolemaic Egypt and the Seleucid Kingdom had reached a decisive moment and faced each other across the border near the town of Raphia. To finance the war effort, Ptolemy IV (221-204) had increased taxes still further, imposing a heavy burden on an already hard-pressed population. He had also put aside the Ptolemies' longstanding contempt 'for non-Greek soldiers by recruiting a large force of Egyptian troops (albeit armed in Macedonian style). On the eve of battle he addressed his forces, acting the part of a traditional pharaoh, but the pretence fooled nobody, especially as he had to use an interpreter to translate from Greek into Egyptian. The Battle of Raphia /Page 481/ resulted in a narrow Ptolemaic victory, and Ptolemy IV had himself immortalised on the walls of Egyptian temples as a war hero and 'ruler of Syria'.2 It was the last time a Ptolemy would display such confidence in his own sovereignty. Armed and battle-hardened, the twenty thousand Egyptian troops seized the opportunity to mutiny, feeding a widespread revolt throughout the Delta. Peasants left their villages in droves and lived as outlaws, roaming the countryside. Bandits attacked a Greek garrison and an Egyptian temple, both symbols of repression. The Macedonian and Seleucid kings offered their assistance to Ptolemy IV, putting aside their dynastic rivalry in face of this native insurrection, but to little effect. Within a few years, civil war raged through Lower Egypt.
Encouraged by the unrest in the north, the citizens of Thebes were the next to rebel. Ever since the fall of the New Kingdom, Upper Egypt in general and the Theban region in particular had harboured secessionist tendencies. The attitude of the Ptolemies, who rarely strayed beyond their northern power base, merely exacerbated Theban resentment at being ruled from distant Alexandria. Sensing the native threat, Ptolemy IV ordered construction to begin of a vast new temple to Horus at Djeba (Greek Apollonos polis, modern Edfu), in the far south of Egypt. But it was too little, too late. A contemporary text (the so-called 'Demotic Chronicle') lambasted the Ptolemaic rulers, accusing them of ignoring mast, and prophesied that a native king would rise up to overthrow the foreigners.
The prophecy was soon fulfilled. In206, a charismatic rebel leader won an initial victory against the state's forces. Within a few months, after taking the sacred city of Thebes, he was proclaimed pharaoh and given official recognition by the priesthood of Amun. Horwennefer, `beloved of Amun-Ra, king of the gods', began his reign in the autumn of zo5. From' Abdju (Greek Abydos) in the north to Inerty (Greek Pathyris) in the south, Upper Egypt was once again under native rule. Land records were destroyed, the hated tax regime suspended and Greeks forced from their homes. Ptolemaic rule was in retreat. For a brief, heady moment, it looked as if the Nile Valley might wrest itself free from foreign domination, as it had at other turning points in its history.

Page 482

The Ptolemies thought otherwise. At the end of 200, a new king in. Alexandria, Ptolemy V (204-I80), launched his counter-offensive. Greek troops marched southwards from their bases in the Delta and the Fayum. By early 199 they had recaptured Ptolemais and as summer turned to autumn they laid siege to the sacred site of Abdju. Having seized the cult centre of the god Osiris-Wennefer from the rebel leader named after him, they pressed on to Thebes, there to win a further victory. Pessimism among the freedom fighters turned to despair as they lost first their capital, then their leader. Horwennefer's death in mid-autumn 199 might have spelled the end of Theban resistance, but a successor, Ankhwennefer, quickly filled his shoes, continuing the same sequence of regnal years as if nothing had happened. However, with Ptolemaic forces in control of Thebes and another major Greek garrison dug in at Syene (modern Aswan), Ankhwennefer's options were severely limited. Daringly, he chose to march northwards, perhaps using the desert routes, and targeted the province of Sauty (Greek Lykopolis), 190 miles north of Thebes. By inflicting maximum damage, plundering towns and disrupting the normal workings of the rural economy, Ankhwennefer's plan was to isolate the Ptolemaic troops occupying Thebes, deprive them of supplies and cut their lines of communication with Alexandria. It was a bold move, and a successful one. Before long, the Ptolemaic army was forced to abandon Thebes and retreat southwards. The rebel forces were back in the game.
Frustrated by the degree of opposition in Upper Egypt, Ptolemy V decided to direct his firepower against the Delta rebels. In 197, his army besieged their fortified and well-stocked headquarters. In the end, the insurgents' idealism proved no match for the superior strength and weaponry of the Ptolemaic forces. The town was captured and the ringleaders of the uprising were brought to Memphis, there to suffer public execution by impalement as part of Ptolemy's coronation festivities. This highly charged occasion on 26 March 196, mixing politics and religion in characteristically Egyptian style, was duly commemorated in a great royal decree, inscribed in the country's two languages (Egyptian and Greek) and three scripts (hieroglyphic, demotic and Greek). This Decree of Memphis survives to this day, more famously known as the Rosetta Stone.

 

R
=
9
-
7
ROSETTA
98
26
8
S
=
1
-
5
STONE
73
19
1
-
-
10
-
12
Add to Reduce
171
45
9
-
-
1+0
-
1+2
Reduce to Deduce
1+7+1
4+5
-
Q
-
1
-
3
Essence of Number
9
9
9

 

This highly charged occasion on 26 March 196, mixing politics and religion in characteristically Egyptian style, was duly commemorated in a great royal decree, inscribed in the country's two languages (Egyptian and Greek) and three scripts (hieroglyphic, demotic and Greek). This Decree of Memphis survives to this day, more famously known as the Rosetta Stone.

 

D
=
4
-
6
DECREE
40
31
4
O
=
6
-
2
OF
21
12
3
M
=
4
-
7
MEMPHIS
83
38
2
-
-
14
-
15
Add to Reduce
144
81
9
-
-
1+4
-
1+5
Reduce to Deduce
1+4+4
8+1
-
Q
-
5
-
6
Essence of Number
9
9
9

 

 

H
=
8
-
12
HIEROGLYPHIC
135
81
9
D
-
4
-
7
DEMOTIC
69
33
6
G
=
7
-
5
GREEK
46
28
1

 

Page 4

PROLOGUE

By curious coincidence, the breakthrough by which ancient Egyptian writing had been first deciphered, opening up the study of pharaonic civilisation through its numerous inscriptions, had occurred exactly a century before. In 1822, the French scholar Jean-Francois Champollion published his famous Lettre a M. Dewier, in which he correctly described the workings of the hieroglyphic writing system and identified the phonetic values of many important signs. This turning point in the history of Egyptology was itself the result of a long period of study. As a boy, Champollion's interest in ancient Egyptian writing had been prompted when he first learned about the Rosetta Stone. A royal proclamation inscribed in three scripts (Greek, demotic and hieroglyphic), the stone had been discovered by Napoleonic troops at el-Rashid (Rosetta) during the French invasion of 1798, when Champollion was eight years old, and it was to provide one of the main keys to decipherment. Champollion's early genius for languages enabled him to become proficient in Greek and, crucially, Coptic, the liturgical language of the Egyptian Orthodox Church and a direct descendant of ancient Egyptian. Armed with this knowledge, and with a transcription of the Rosetta Stone, Champollion correctly translated the hieroglyphic-version of the text and so began the process that was to unlock the secrets of ancient Egyptian history. His grammar and dictionary of the ancient Egyptian language, published posthumously, /Page 5/ At the same time that Champollion was working on the mysteries of the ancient Egyptian language, an Englishman, John Gardner Wilkinson, was making an equally important contribution to the study of pharaonic civilisation. Born a year before Napoleon's invasion, Wilkinson travelled to Egypt at the age of twenty-four and stayed for the next twelve years, visiting virtually every known site, copying countless tomb scenes and inscriptions, and carrying out the most comprehensive study of pharaonic monuments yet undertaken. (For a year, in 1828-9, Wilkinson and Champollion were both in Egypt, travelling and recording, but it is not known if the two ever met.) On his return to England in 1833, Wilkinson began compiling the results of his work and published them four years later: the three-volume Manners and Customs of the Ancient Egyptians, together with the two-volume Modern Egypt and Thebes (1843), was and remains the greatest review of ancient Egyptian civilisation ever accomplished.
Wilkinson became the most famous and most honoured Egyptologist of his age, and is regarded, with Champollion, as one of the founders of the subject.

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page XIV

EARLY DYNASTIC PERIOD 2950-2575

Unification of Egypt

Narmer

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
N
14
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
R
18
9
9
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
14
5
5
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

R NAME R

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
N
14
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
5
5
5
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

R NAME R

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
N+A+M+E
33
15
6
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

R NAME R

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

DIVINE RIGHT (5000-2175 BC)

Page 17

I

In the Beginning

The first king of Egypt

In a tall glass case in the entrance hall of the Egyptian Museum in Cairo stands an ancient slab of fine-grained, greenish-black stone, about two feet high and no more than an inch thick. Shaped like a shield, it is carved on both sides in low relief. The scenes, though still crisp, are difficult to make out in the diffuse, hazy light that filters down through the dusty, glazed dome in the museum ceiling. Most visitors barely give this strange object a second glance as they head straight for the golden riches of Tutankhamun on the floor above. Yet this modest piece of stone is one of the most important documents to survive from ancient Egypt. Its place of honour at the entrance to the Egyptian Museum, the world's greatest treasure house of pharaonic culture, underlines its significance. It is the object that marks the very beginning of ancient Egyptian history.
The Narmer Palette, as it is known to Egyptologists, has become an icon of early Egypt, but the circumstances of its discovery are clouded wit uncertainty. In the winter of Al) 1897-8, the British archaeologists James Quibell and Frederick Green were excavating at the ancient site of Nekhe (modern Kom el-Ahmar), the 'city of the falcon' (Classical Hierakonpolis) in the far south of Egypt. The nineteenth century was still the era o treasure seeking, and Quibell and Green, though more scientific in thei approach than many of their contemporaries, were not immune from the pressure to discover fine objects to satisfy their sponsors back home. So having chosen to excavate at Nekhen, a site eroded through countless /Page 18 / centuries and largely devoid of major standing monuments, they decided to focus their attentions on the ruins of the local temple. Though small and unimpressive by comparison with the great sanctuaries of Thebes, this was no ordinary provincial shrine. Since the dawn of history, it had been dedicated to the celebration of Egyptian kingship. The local falcon god of Nekhen, Horus, was the patron deity of the Egyptian monarchy. Might the temple, therefore, yield a royal treasure?
As the two men worked away, their initial results were disappointing: stretches of mud brick wall; the remains of a mound, faced in stone; a few worn and broken statues. Nothing spectacular. The next area to be investigated lay in front of the mound, but here the archaeologists encountered only a thick layer of clay which resisted systematic excavation. The city of the falcon seemed determined to keep its secrets. But then, as Quibell and Green dug their way through the clay layer, they came upon a scatter of discarded ritual objects, a motley collection of sacred paraphernalia that had been gathered up and buried by the temple priests some time in the remote past. There was no gold, but the 'Main Deposit' — as they optimistically called it — did contain some interesting and unusual finds. Chief among them was a carved slab of stone.
There was no doubt about what sort of object they had found: a shallow, circular well in the middle of one side showed it to be a palette, a grindstone for mixing pigments. But this was no workaday tool for preparing cosmetics. The elaborate and detailed scenes decorating both sides showed that it had been commissioned for a much loftier purpose, to celebrate the achievements of a glorious king. Beneath the benign gaze of two cow goddesses, a representation of the monarch himself — shown in the age-old pose of an Egyptian ruler, smiting his enemy with a mace — dominated one side of the palette. The archaeologists wondered who he was and when he had reigned. Two hieroglyphs, contained within a small, rectangular panel at the very top of the palette, seemed to provide the answer, spelling-but his name: a catfish (nar) and a chisel (mer), Narmer. Here was a king previously unknown to history. Moreover, the style of the carvings on the Narmer Palette pointed to a very early date. Subsequent research showed that Narmer was not just an early king, he was the very first ruler of a united Egypt. He came to the throne around 2950, the first / Page 19 / king of the First Dynasty. In the mud of Nekhen, Quibell and Green had stumbled upon ancient Egypt's founding monument.
While Narmer may be the first historical king, he is not the beginning of Egypt's story. The decoration of his famous palette shows the art of the Egyptian royal court and the iconography of kingship already in their classic forms. However, some of its stranger motifs, like the intertwined beasts with long, serpentine necks and the bull trampling the walls of an enemy fortress, hark back to a remoter, prehistoric past. On his great commemorative palette, Narmer was explicitly acknowledging that the cornerstones of Egyptian civilisation had been laid long before his own time.

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
6
NARMER
69
33
6
-
-
-
-
-
-
6
-
-
-
P
=
7
-
7
PALETTE
79
25
7
-
-
-
-
-
-
-
7
-
-
-
-
14
-
16
First Total
181
73
19
-
1
2
3
4
5
6
7
8
9
-
-
1+4
-
1+6
Add to Reduce
1+8+1
7+3
1+9
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
Second Total
10
10
10
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
5
-
7
Essence of Number
1
1
1
-
1
2
3
4
5
6
7
8
9

 

 

Q
Q
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE NARMER PALETTE
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
1
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
A
=-
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
R
=-
9
-
1
R
9
9
9
-
-
-
-
-
-
-
-
-
9
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
R
=-
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
P
=
2
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
A
=-
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
L
=-
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
Q
Q
19
Q
16
THE NARMER PALETTE
181
73
19
-
2
6
3
4
25
6
7
8
18
-
-
1+9
-
1+6
-
1+8+1
7+3
1+9
-
-
-
-
-
2+5
-
-
-
1+8
-
-
10
-
7
THE NARMER PALETTE
10
10
10
-
2
6
3
4
7
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE NARMER PALETTE
1
1
1
-
2
6
3
4
7
6
7
8
9

 

 

Q
Q
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE NARMER PALETTE
-
-
-
-
-
-
-
-
-
-
-
-
-
A
=-
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
A
=-
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
L
=-
3
-
1
L
12
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
-
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
N
=
1
-
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
P
=
2
-
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
R
=-
9
-
1
R
9
9
9
-
-
-
-
-
-
-
-
-
9
R
=-
9
-
1
R
18
9
9
-
-
-
-
-
-
-
-
-
9
Q
Q
19
Q
16
THE NARMER PALETTE
181
73
19
-
2
6
3
4
25
6
7
8
18
-
-
1+9
-
1+6
-
1+8+1
7+3
1+9
-
-
-
-
-
2+5
-
-
-
1+8
-
-
10
-
7
THE NARMER PALETTE
10
10
10
-
2
6
3
4
7
6
7
8
9
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
1
-
7
THE NARMER PALETTE
1
1
1
-
2
6
3
4
7
6
7
8
9

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page XIV

EARLY DYNASTIC PERIOD 2950-2575 BC

Unification of Egypt

Narmer

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
N
14
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
R
18
9
9
-
-
-
-
-
M
13
4
4
-
-
-
-
-
E
14
5
5
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

 

R NAME R

 

N
=
5
-
6
NARMER
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
N+A+M+E
33
15
6
-
-
-
-
-
R
18
9
9
N
=
5
-
6
NARMER
69
33
33
-
-
-
-
-
-
6+9
3+3
3+3
N
=
5
-
6
NARMER
15
6
6
-
-
-
-
-
-
1+5
-
-
N
=
5
-
6
NARMER
6
6
6

 

R NAME R

 

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

IN THE BEGINNING


Page 27

Gift of the Nile

Given the archaeological and scholarly effort involved in rediscovering Narmer, it is humbling to acknowledge that his identification as the first king of ancient Egypt merely confirms the account given by the Greek historian Herodotus, writing twenty-four centuries ago. For `the father of history', there was no doubt that `Menes' (another name for Narmer) had founded the Egyptian state. It is a salutary lesson that the ancients were often far cleverer than we give them credit for. Herodotus also made another fundamental observation about Egypt, which still captures the essential truth about the country and its civilisation: 'Egypt is the gift of the Nile'. Flowing through the Sahara, the Nile makes life possible where otherwise there would be none. The Nile Valley is a 'linear oasis', a narrow strip of green hemmed in on either side by a vast and and desert, boundless and bare. The rise of ancient Egypt is to be traced as much in the river and its character as in the archaeology of graves, rock pictures and megaliths.
The environment of the Nile Valley has always had a profound effect on its inhabitants. The river moulds not only the physical landscape but also—the way in which the Egyptians think about themselves and their place in the world. The landscape has influenced their habits and customs, and from an early period it imprinted itself upon their collective psyche, shaping over the course of generations their most fundamental philosophical and religious beliefs. The symbolic force of the Nile is a thread that runs through pharaonic civilisation, starting with the Egyptians' myth of their own origins.
According to the most ancient account of how the universe was formed, in the beginning there was nothing but a watery chaos, personified as the god Nun: 'The great god who creates himself: he is water, he is Nun, father of the gods." A later version described the primeval waters as negative and frightening, the embodiment of limitlessness, /Page 28/ hiddenness, darkness and formlessness. Yet despite being lifeless, the waters of Nun nevertheless held the potential for life. Although chaotic, they contained within them the possibility of created order. This belief in the coexistence of opposites was characteristic of the ancient Egyptian mindset, and was deeply rooted in their distinctive geographical surroundings. It was reflected in the contrast between the arid desert and the fertile floodplain, and in the river itself, for the Nile could both create life and destroy it: a paradox inherent in its peculiar regime.
Until the construction of the Aswan Dam in the early twentieth century AD, and its larger twin, the High Dam, in the 196os, the Nile performed an annual miracle. The summer rains falling over the Ethiopian highlands swelled the Blue Nile — one of tcro great tributaries that join to form the Egyptian Nile — sending a torrent of water downstream. By early August, the approaching inundation was clearly discernible in the far south of Egypt, both from the turbulent sound of the floodwaters and from a noticeable rise in the river level. A few days later, the flood arrived in earnest. With an unstoppable force, the Nile burst its banks and the waters spread out over the floodplain. The sheer volume of the flood caused the phenomenon to be repeated the entire length of the Nile Valley. For several weeks, all the cultivable land was under water. But, as well as destruction, the inundation brought with it the potential for new life: a layer of fertile silt, deposited by the floodwaters over the fields, and the water itself. Once the flood had retreated, the soil emerged again, fertilised and irrigated, ready for the sowing of crops. It was thanks to this annual phenomenon that Egypt enjoyed such productive agriculture — when the Nile flood was sufficient but not too powerful. Deviations from the norm, both low Niles' and 'high Niles', could prove equally catastrophic, leaving crops to desiccate with insufficient water or drown in waterlogged fields. Fortunately, in most years the inundation was moderate and the harvest bountiful, providing a surplus beyond the immediate subsistence needs of the population and allowing a complex civilisation to develop.
In fact, Egypt was doubly blessed by its geography: not only did the river bring the annual miracle of the inundation, its shaping of /Page 29/ the Valley's topography also proved highly beneficial to agriculture. In cross-section, the Nile Valley is slightly convex, with the highest land lying immediately next to the river — the remnants of old levees — and lower-lying areas located at the edges of the floodplain. This made the Valley especially suitable for irrigation both by the natural floodwaters and by artificial means, since water would automatically come to rest, and remain longest, in the fields furthest from the river bank — potentially the very areas most prone to drought. Moreover, the long, narrow floodplain naturally divides into a series of flood basins, each compact enough to be managed and cultivated with relative ease by the local population. This was an important factor in the consolidation of early kingdoms, such as those based at Tjeni, Nubt and Nekhen.
The fact that Egypt was unified under Narmer instead of remaining a series of rival power centres or warring city states — the situation in many neighbouring lands — can likewise be attributed to the Nile. The river has always provided an artery for transport and communication, serving the whole country. All life in Egypt ultimately depends on the life-giving waters of the Nile, so in ancient times no permanent Valley community could survive more than a few hours' walk from the river. This proximity of the population to the Nile allowed a dominant authority to exercise economic and political control on a national scale with relative ease.
As the country's defining geographical feature, the Nile was also a powerful metaphor for all Egyptians. For this reason, Egypt's rulers gave the river and its annual inundation key roles in the state ideology that they developed to underpin their authority in the eyes of the population at large. The political value of religious doctrine can be seen most strikingly if we look at one of the earliest creation myths, developed at Iunu (Classical/modern Heliopolis). According to the story, the waters of Nun receded to reveal a mound of earth, just as dry land appeared from the floodwaters after the inundation. This underscored the ever-present potential for creation in the midst of chaos. The 'primeval mound' then became the setting for the act of creation itself, with the creator god emerging at the same time as the mound, sitting upon it. His name was Atum which, characteristically, /Page 30/ means both 'totality' and 'nonexistence'. In Egyptian art, Atum was usually represented wearing the double crown of kingship, identifying him as the creator, not just of the universe but also of ancient Egypt's political system. The message was clear and unambiguous: if Atum was the first king as well as the first living being, then created order and political order were interdependent and inextricable. Opposition to the king or his regime was tantamount to nihilism.
A slightly different version of the creation myth explained how a reed grew on the newly emerged mound, and the celestial god, in the form of a falcon, alighted on the reed, making his dwelling on earth and bringing divine blessing to the land. Throughout the long course of pharaonic history, every temple in Egypt sought to recall this moment of creation, siting its sanctuary' on a replica of the primeval mound in order to recreate the universe anew. The rest of the myth recounts the origins of the essential building blocks of existence: the male and female principles; the fundamental elements of air and moisture; the earth and sky; and, finally, the first family of gods who, like the waters of Nun from which they arose, embraced both orderly and chaotic tendencies. In total, Atum and his immediate descendants numbered nine deities, three times three expressing the ancient Egyptian concept of completeness.
The essential interest of the story, apart from 'its philosophical sophistication and its subtle legitimation of royal government, is that it demonstrates the force with which the Egyptians' unique-environment — the combination of regularity and harshness, dependability and danger, and an annual promise of rebirth and renewal — imprinted itself on the people's collective consciousness and determined the pattern of their civilisation.

In total, Atum and his immediate descendants numbered nine deities, three times three expressing the ancient Egyptian concept of completeness.

 

 

Page 29/30

The 'primeval mound' then became the setting for the act of creation itself, with the creator god emerging at the same time as the mound, sitting upon it. His name was Atum which, characteristically, / means both 'totality' and 'nonexistence'.

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
8
TOTALITY
87
42
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
3
AND
23
14
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
12
NONEXISTENCE
79
25
7
-
-
-
-
-
-
-
7
-
-
-
-
8
-
23
First Total
288
99
36
-
1
2
3
4
5
6
14
8
9
-
-
2+4
-
2+3
Add to Reduce
2+8+8
9+9
3+6
-
-
-
-
-
-
-
1+4
-
-
-
-
6
-
5
Second Total
18
18
9
-
1
2
3
4
5
6
5
8
9
-
-
-
-
-
Reduce to Deduce
1+8
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
5
Essence of Number
9
9
9
-
1
2
3
4
5
6
5
8
9

 

 

ATUM

THE COMPLETE AND ALL CONTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
C
=
3
-
10
CONTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
16
-
30
Add to Reduce
306
135
36
-
-
1+6
-
3+0
Reduce to Deduce
3+0+6
1+3+5
3+6
-
-
7
-
3
Essence of Number
9
9
9

 

 

ATUM

THE COMPLETE AND ALL SUSTAINING ONE

 

A
=
1
-
4
ATUM
55
10
1
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
C
=
3
-
8
COMPLETE
89
35
8
A
=
1
-
3
AND
19
10
1
A
=
1
-
3
ALL
25
7
7
S
=
1
-
10
SUSTAINING
106
52
7
O
=
6
-
3
ONE
34
16
7
-
-
14
-
30
Add to Reduce
333
126
36
-
-
1+4
-
3+0
Reduce to Deduce
3+3+3
1+2+6
3+6
-
-
5
-
3
Essence of Number
9
9
9

 

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

-
4
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
35
4
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
8
4
A
T
U
M
-
-
1
-
-
4
-
1

 

 

THE RISE AND FALL OF ANCIENT EGYPT

The History of a Civilisation from 3000 BC to Cleopatra

Toby Wilkinson 2010

Page 30

DIVINE RIGHT (5000-2175 BC

In total, Atum and his immediate descendants numbered nine deities, three times three expressing the the ancient Egyptian concept of completeness.

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

THE HERMETICA

THE LOST WISDOM OF THE PHARAOHS

Timothy Freke & Peter Gandy

To the Memory of Giordano Bruno 1548 - 1600

Mundus Nihil Pulcherrimum

The World is a Beautiful Nothing

Page 23

"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."

 

Page 45

The Being of Atum

"Atum is Primal Mind."

Page 45

The Being of Atum

Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight, which comes only as a gift of grace.

It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it, leaving behind not only the hearer, but even the teacher himself.

To conceive of Atum is difficult.

To define him is impossible.

The imperfect and impermanent cannot easily apprehend the eternally perfected.

Atum is whole and conconstant.

In himself he is motionless, yet he is self-moving.

He is immaculate, incorruptible and ever-lasting.

He is the Supreme Absolute Reality. He is filled with ideas which are imperceptible to the senses, and with all-embracing Knowledge.

Atum is Primal Mind.

Page 46

He is too great to be called by the name 'Atum'. He is hidden, yet obvious everywhere.

His Being is known through thought alone, yet we see his form before our eyes.

He is bodiless, yet embodied in everything. There is nothing which he is not. He has no name, because all names are his name. He is the unity in all things, so we must know him by all names and call everything 'Atum'.

He is the root and source of all. Everything has a source, except this source itself, which springs from nothing.

Atum is complete like the number one, which remains itself whether multiplied or divided, and yet generates all numbers.

Atum is the Whole which contains everything. He is One, not two.

He is All, not many.

The All is not many separate things, but the Oneness that subsumes the parts.

The All and the One are identical.

You think that things are many when you view them as separate, but when you see they all hang on the One, /Page 47/ and flow from the One, you will realise they are united­linked together, and connected by a chain of Being from the highest to the lowest, all subject to the will of Atum.

The Cosmos is one as the sun is one, the moon is one and the Earth is one.

Do you think there are many Gods? That's absurd - God is one.

Atum alone is the Creator of all that is immortal, and all that is mutable.

If that seems incredible, just consider yourself. You see, speak, hear, touch, taste, walk, think and breathe.

It is not a different you who does these various things, but one being who does them all.

To understand how Atum makes all things, consider a farmer sowing seeds; here wheat - there barley,
now planting a vine - then an apple tree.

Just as the same man plants all these seeds, so Atum sows immortality in heaven and change on Earth.

Throughout the Cosmos he disseminates Life and movement­the two great elements that comprise Atum and his creation, and so everything that is.

Page 48

Atum is called 'Father' because he begets all things, and, from his example, the wise hold begetting children the most sacred pursuit of human life. Atum works with Nature, within the laws of Necessity, causing extinction and renewal, constantly creating creation to display his wisdom.

Yet, the things that the eye can see are mere phantoms and illusions.

Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.

Just as the eye cannot see the Being of Atum, so it cannot see these great ideas.

They are attributes of Atum alone, and are inseparable from him.

They are so perfectly without blemish that Atum himself is in love with them.

There is nothing which Atum lacks, so nothing that he desires.

There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.

Atum makes everything, and everything is a part of Atum.

Atum, therefore, makes himself.

This is Atum's glory - he is all-creative, and this creating is his very Being.

It is impossible for him ever to stop creating­for Atum can never cease to be.

Page 49

Atum is everywhere.

Mind cannot be enclosed, because everything exists within Mind.

Nothing is so quick and powerful.

Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention you will be there!

Think of the ocean - and there you are.

You have not moved as things move, but you have travelled, nevertheless.

Fly up into the heavens - you won't need wings!

Nothing can obstruct you - not the burning heat of the sun, or the swirling planets.

Pass on to the limits of creation. Do you want to break out beyond the boundaries of the Cosmos?

For your mind, even that is possible.

Can you sense what power you possess? If you can do all this, then what about your Creator?

Try and understand that Atum is Mind.

This is how he contains the Cosmos. All things are thoughts which the Creator thinks."

 

 

 

6
S
O
P
H
I
A
-
-
-
-
-
--
-
-
-
1
6
-
8
9
-
+
=
24
2+4
=
6
=
6
-
19
15
-
8
9
-
+
=
51
5+1
=
6
=
6
6
S
O
P
H
I
A
-
-
-
-
-
--
-
-
-
-
-
7
-
-
1
+
=
8
-
=
8
=
8
-
-
-
16
-
-
1
+
=
17
1+7
=
17
1+7
8
6
S
O
P
H
I
A
-
-
-
-
-
--
-
-
-
19
15
16
8
9
1
+
=
68
6+8
=
14
1+4
5
-
1
6
7
8
9
1
+
=
32
3+2
=
5
-
5
6
S
O
P
H
I
A
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
6
-
-
-
-
-
-
6
occurs
x
1
=
6
-
-
-
7
-
-
-
-
-
7
occurs
x
1
=
7
-
-
-
-
8
-
-
-
-
8
occurs
x
1
=
8
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
S
O
P
H
I
A
-
-
31
-
-
6
-
32
-
-
-
-
-
9
-
-
-
3+1
-
-
-
-
3+2
6
S
O
P
H
I
A
-
-
4
-
-
6
-
5
-
1
6
7
8
9
1
-
-
-
-
-
-
-
-
6
S
O
P
H
I
A
-
-
4
-
-
6
-
5

 

 

S
=
1
-
6
SOPHIA
-
-
-
-
-
-
-
-
S
19
10
1
-
-
-
-
-
O
15
6
6
-
-
-
-
-
P
16
7
7
-
-
-
-
-
H
8
8
8
-
-
-
-
-
I
9
9
9
-
-
-
-
-
A
1
1
1
S
=
1
-
6
SOPHIA
68
41
14
-
-
-
-
-
-
6+8
4+1
1+4
S
=
1
-
6
SOPHIA
14
5
5
-
-
-
-
-
-
1+4
-
-
S
=
1
-
6
SOPHIA
5
5
5

 

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

 

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

-
4
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
35
4
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
8
4
A
T
U
M
-
-
1
-
-
4
-
1

 

 

4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
4
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
4
A
T
U
M
-
-
1
-
-
4
-
1

 

 

ATUM QUANTUM ATOM

QUANTUM

 

 

ATUM

 

4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
4
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
4
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
4
A
T
U
M
-
-
1
-
-
4
-
2

 

 

A
=
1
-
6
ATUM RA
-
-
-
-
-
-
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
R
=
9
-
2
RA
-
-
-
A
R
10
-
-
R
18
9
9
-
-
1+0
-
-
A
1
1
1
A
=
1
-
6
ATUM RA
74
20
20
-
-
-
-
-
-
7+4
2+0
2+0
A
=
1
-
6
ATUM RA
11
2
2
-
-
-
-
-
-
1+1
-
-
A
=
1
-
6
ATUM RA
2
2
2

 

 

-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
-
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
26
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
2+6
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
-
2+0
8
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
-
1
2
3
4
-
9
1
-
-
1+0
-
-
-
-
-
8
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
1+9
-
-
-
-
2+0
6
A
T
U
M
-
R
A
-
-
10
-
-
6
-
2
-
1
2
3
4
-
9
1
-
-
1+0
-
-
-
-
-
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
9
-
-
-
1+9
-
-
-
Q
2+0
6
A
T
U
M
R
A
-
-
10
-
-
6
-
2
-
1
2
3
4
9
1
-T
-
1+0
-
-
-
-
-
6
A
T
U
M
R
A
-
-
1
-
-
6
-
2

 

 

R
=
9
-
6
RE ATUM
-
-
-
-
-
-
-
2
RE
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
E
5
5
5
A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
R
A
10
-
-
U
21
3
3
-
-
1+0
-
-
M
13
4
4
R
A
1
-
6
RE ATUM
60
24
24
-
-
-
-
-
-
6+0
2+4
2+4
R
A
1
-
6
RE ATUM
6
6
6

 

 

-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
-
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
-
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
21
6
R
E
-
A
T
U
M
-
-
14
-
-
6
-
24
2+1
-
9
5
-
1
2
3
4
-
-
1+4
-
-
-
-
2+4
3
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6
-
-
9
5
-
1
2
3
4
-
-
-
-
-
-
-
-
3
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6

 

 

6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
-
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
-
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
6
R
E
-
A
T
U
M
-
-
14
-
-
6
-
24
-
9
5
-
1
2
3
4
-
-
1+4
-
-
-
-
2+4
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6
-
9
5
-
1
2
3
4
-
-
-
-
-
-
-
-
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6

 

C
=
3
-
7
CREATUM
-
-
-
-
-
-
-
-
C
3
3
3
-
-
-
-
-
R
18
9
9
-
-
-
-
-
E
5
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
C
=
3
-
7
CREATUM
90
27
27
-
-
-
-
-
-
9+0
2+7
2+7
C
=
3
-
7
CREATUM
9
9
9

 

 

-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
-
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
21
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
2+1
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9

 

 

7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9

 

myEtymology.com: Latin etymology of creatum www.myetymology.com/latin/creatum.htm

Etymology of the Latin word creatum
the Latin word creatum (things made) derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) derived from the Proto-Indo-European root *ker-
Derivations in Latin creatura derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) ...


Creatum - Medieval Latin 105 https://coursewikis.fas.harvard.edu/ml105/Creatum

Creatum
From Medieval Latin 105
Jump to: navigation, search
creatum
Root: creo
Dictionary form: creo (adjective, positive)
participle, perfect, passive
accusative, masculine, singular

26 Aug 2009 – From Medieval Latin 105. ... Retrieved from "https:/ /coursewikis.fas.harvard.edu/ml105/Creatum" ...
Latin Word Study Tool www.perseus.tufts.edu/hopper/morph?l=creatum&la=la&prior...

Latin Word Study Tool. ("Agamemnon", "Hom. ... creatum, noun sg supine neut nom. creatum, part pl perf pass masc gen poetic. creatum, part pl perf pass neut ...
EUdict | creatum esse | Latin-Croatian dictionary www.eudict.com/index.php?lang=latcro&word=creatum%20esse

Latin-Croatian translation for creatum esse - online dictionary EUdict.com.
Needlebase - 1000 Common Latin Words - creo, creare, creavi, creatum https://pub.needlebase.com/actions/.../V2Visualizer.do?...latin...

1000 Common Latin Words ... current path creo, creare, creavi, creatum >>.

 

 

-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
-
3
9
5
-
-
-
-
+
=
17
1+7
=
8
=
8
=
8
-
-
3
18
5
-
-
-
-
+
=
26
2+6
=
8
=
8
=
8
-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
-
-
-
-
1
2
3
4
+
=
27
2+7
=
9
=
9
=
9
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
1+0
1
-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
=
9
-
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
=
9
-
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
21
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
-
27
2+1
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
-
2+7
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
9
-
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
-
-
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
9

 

 

7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
9
5
-
-
-
-
+
=
17
1+7
=
8
=
8
-
3
18
5
-
-
-
-
+
=
26
2+6
=
8
=
8
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
-
1
2
3
4
+
=
10
1+0
=
1
=
1
`-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9

 

A

QUESTION QUESTERS QUESTION

RE ATUM RE

 

-
7
Q
U
A
N
T
U
M
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
-
-
+
=
5
-
=
5
=
5
-
-
-
-
-
14
-
-
-
+
=
14
1+4
=
5
=
5
-
7
Q
U
A
N
T
U
M
-
-
-
-
-
--
-
-
-
-
8
3
1
-
2
3
4
+
=
21
2+1
=
3
=
3
-
-
17
21
1
-
20
21
13
+
=
93
9+3
=
12
1+2
3
-
7
Q
U
A
N
T
U
M
-
-
-
-
-
--
-
-
-
-
17
21
1
14
20
21
13
+
=
107
1+0+7
=
8
=
8
-
-
8
3
1
5
2
3
4
+
=
26
2+6
=
8
=
8
-
7
Q
U
A
N
T
U
M
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
-
``-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
``-
-
3
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
-
-
-
-
7
``-
-
-
-
-
-
-
-
-
-
7
SEVEN
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
9
-
-
-
-
-
-
-
-
-
-
9
NINE
-
-
-
-
22
7
Q
U
A
N
T
U
M
-
-
23
-
-
7
-
26
2+2
-
-
-
-
-
-
-
-``
-
-
2+3
-
-
-
-
2+6
4
7
Q
U
A
N
T
U
M
-
-
5
-
-
7
-
8
-
-
8
3
1
5
2
3
4
-
-
-
-
-
-
-
-
4
7
Q
U
A
N
T
U
M
-
-
5
-
-
7
-
8

 

A

QUESTERS QUESTION QUESTERS

RE ATUM RE

 

-
7
Q
U
A
N
T
U
M
-
-
-
-
-
--
-
-
-
-
-
-
-
5
-
-
-
+
=
5
-
=
5
=
5
-
-
-
-
-
14
-
-
-
+
=
14
1+4
=
5
=
5
-
7
Q
U
A
N
T
U
M
-
-
-
-
-
--
-
-
-
-
8
3
1
-
2
3
4
+
=
21
2+1
=
3
=
3
-
-
17
21
1
-
20
21
13
+
=
93
9+3
=
12
1+2
3
-
7
Q
U
A
N
T
U
M
-
-
-
-
-
--
-
-
-
-
17
21
1
14
20
21
13
+
=
107
1+0+7
=
8
=
8
-
-
8
3
1
5
2
3
4
+
=
26
2+6
=
8
=
8
-
7
Q
U
A
N
T
U
M
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
occurs
x
1
=
1
-
``-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
``-
-
3
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
1
=
5
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
22
7
Q
U
A
N
T
U
M
-
-
23
-
-
7
-
26
2+2
-
-
-
-
-
-
-
-``
-
-
2+3
-
-
-
-
2+6
4
7
Q
U
A
N
T
U
M
-
-
5
-
-
7
-
8
-
-
8
3
1
5
2
3
4
-
-
-
-
-
-
-
-
4
7
Q
U
A
N
T
U
M
-
-
5
-
-
7
-
8

 

 

-
4
A
T
O
M
-
-
-
-
-
--
-
-
-
-
-
-
6
-
+
=
6
-
=
6
=
6
-
-
-
-
15
-
+
=
15
1+5
=
6
=
6
-
4
A
T
O
M
-
-
-
-
-
--
-
-
-
-
1
2
-
4
+
=
7
-
=
7
=
7
-
-
1
20
-
13
+
=
34
3+4
=
7
=
7
-
4
A
T
O
M
-
-
-
-
-
--
-
-
-
-
1
20
15
13
+
=
49
4+9
=
13
1+3
4
-
-
1
2
6
4
+
=
13
1+3
=
4
=
4
-
4
A
T
O
M
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
32
4
A
T
O
M
-
-
13
-
-
4
-
13
3+2
-
-
-
-
-
-
-
1+3
-
-
-
-
1+3
5
4
A
T
O
M
-
-
4
-
-
4
-
4
-
-
1
2
6
4
-
-
-
-
-
-
-
-
5
4
A
T
O
M
-
-
4
-
-
4
-
4

 

 

4
A
T
O
M
-
-
-
-
-
--
-
-
-
-
-
6
-
+
=
6
-
=
6
=
6
-
-
-
15
-
+
=
15
1+5
=
6
=
6
4
A
T
O
M
-
-
-
-
-
--
-
-
-
1
2
-
4
+
=
7
-
=
7
=
7
-
1
20
-
13
+
=
34
3+4
=
7
=
7
4
A
T
O
M
-
-
-
-
-
--
-
-
-
1
20
15
13
+
=
49
4+9
=
13
1+3
4
-
1
2
6
4
+
=
13
1+3
=
4
=
4
4
A
T
O
M
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
6
-
-
-
6
occurs
x
1
=
6
4
A
T
O
M
-
-
13
-
-
4
-
13
-
-
-
-
-
-
-
1+3
-
-
-
-
1+3
4
A
T
O
M
-
-
4
-
-
4
-
4
-
1
2
6
4
-
-
-
-
-
-
-
-
4
A
T
O
M
-
-
4
-
-
4
-
4

 

 

-
5
A
T
O
M
S
-
-
-
-
-
--
-
-
-
-
-
-
6
-
1
+
=
7
-
=
7
=
7
-
-
-
-
15
-
19
+
=
34
3+4
=
7
=
7
-
5
A
T
O
M
S
-
-
-
-
-
--
-
-
-
-
1
2
-
4
-
+
=
7
-
=
7
=
7
-
-
1
20
-
13
-
+
=
34
3+4
=
7
=
7
-
5
A
T
O
M
S
-
-
-
-
-
--
-
-
-
-
1
20
15
13
19
+
=
68
6+8
=
14
1+4
5
-
-
1
2
6
4
1
+
=
14
1+4
=
5
=
5
-
5
A
T
O
M
S
-
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
3
-
-
-
-
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
-
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
7
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
32
5
A
T
O
M
S
-
-
13
-
-
5
-
14
3+2
-
-
-
-
-
-
-
-
1+3
-
-
-
-
1+4
5
5
A
T
O
M
S
-
-
4
-
-
5
-
5
-
-
1
2
6
4
1
-
-
-
-
-
-
-
-
5
5
A
T
O
M
S
-
-
4
-
-
5
-
5

 

 

A
T
O
M
S
-
-
-
-
-
--
-
-
-
-
-
6
-
1
+
=
7
-
=
7
=
7
-
-
-
15
-
19
+
=
34
3+4
=
7
=
7
5
A
T
O
M
S
-
-
-
-
-
--
-
-
-
1
2
-
4
-
+
=
7
-
=
7
=
7
-
1
20
-
13
-
+
=
34
3+4
=
7
=
7
5
A
T
O
M
S
-
-
-
-
-
--
-
-
-
1
20
15
13
19
+
=
68
6+8
=
14
1+4
5
-
1
2
6
4
1
+
=
14
1+4
=
5
=
5
5
A
T
O
M
S
-
-
-
-
-
-
-
-
-
1
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
4
-
-
-
4
occurs
x
1
=
4
-
-
-
6
-
-
-
-
6
occurs
x
1
=
6
5
A
T
O
M
S
-
-
13
-
-
5
-
14
-
-
-
-
-
-
-
-
1+3
-
-
-
-
1+4
5
A
T
O
M
S
-
-
4
-
-
5
-
5
-
1
2
6
4
1
-
-
-
-
-
-
-
-
5
A
T
O
M
S
-
-
4
-
-
5
-
5

 

 

-
7
T
H
E
-
A
T
O
M
-
-
-
-
-
--
-
-
-
-
-
8
-
-
-
-
6
-
+
=
14
1+4
=
5
=
5
-
-
-
8
-
-
-
-
15
-
+
=
23
2+3
=
5
=
5
-
7
T
H
E
-
A
T
O
M
-
-
-
-
-
--
-
-
-
-
2
-
5
-
1
2
-
4
+
=
14
1+4
=
5
=
5
-
-
20
-
5
-
1
20
-
13
+
=
59
5+9
=
14
1+4
5
-
7
T
H
E
-
A
T
O
M
-
-
-
-
-
--
-
-
-
-
20
8
5
-
1
20
15
13
+
=
82
8+2
=
10
1+0
1
-
-
2
8
5
-
1
2
6
4
+
=
28
2+8
=
10
1+0
1
-
7
T
H
E
-
A
T
O
M
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
3
-
-
-
-
-
-
--
-
-
-
-
3
THREE
3
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
7
-
-
--
--
--
--
--
--
--
-
-
7
SEVEN
7
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
9
-
-
-
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
19
7
T
H
E
-
A
T
O
M
-
-
26
-
-
7
-
28
1+9
-
-
-
-
-
-
-
-
-
-
-
2+6
-
-
-
-
2+8
10
7
T
H
E
-
A
T
O
M
-
-
8
-
-
7
-
10
1+0
-
2
8
5
-
1
2
6
4
-
-
-
-
-
-
-
1+0
1
7
T
H
E
-
A
T
O
M
-
-
8
-
-
4
-
1

 

 

7
T
H
E
-
A
T
O
M
-
-
-
-
-
--
-
-
-
-
8
-
-
-
-
6
-
+
=
14
1+4
=
5
=
5
-
-
8
-
-
-
-
15
-
+
=
23
2+3
=
5
=
5
7
T
H
E
-
A
T
O
M
-
-
-
-
-
--
-
-
-
2
-
5
-
1
2
-
4
+
=
14
1+4
=
5
=
5
-
20
-
5
-
1
20
-
13
+
=
59
5+9
=
14
1+4
5
7
T
H
E
-
A
T
O
M
-
-
-
-
-
--
-
-
-
20
8
5
-
1
20
15
13
+
=
82
8+2
=
10
1+0
1
-
2
8
5
-
1
2
6
4
+
=
28
2+8
=
10
1+0
1
7
T
H
E
-
A
T
O
M
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
2
-
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
-
-
8
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
7
T
H
E
-
A
T
O
M
-
-
26
-
-
7
-
28
-
-
-
-
-
-
-
-
-
-
-
2+6
-
-
-
-
2+8
7
T
H
E
-
A
T
O
M
-
-
8
-
-
7
-
10
-
2
8
5
-
1
2
6
4
-
-
-
-
-
-
-
1+0
7
T
H
E
-
A
T
O
M
-
-
8
-
-
4
-
1

 

 

7
T
H
E
A
T
O
M
-
-
-
-
-
--
-
-
-
-
8
-
-
-
6
-
+
=
14
1+4
=
5
=
5
-
-
8
-
-
-
15
-
+
=
23
2+3
=
5
=
5
7
T
H
E
A
T
O
M
-
-
-
-
-
--
-
-
-
2
-
5
1
2
-
4
+
=
14
1+4
=
5
=
5
-
20
-
5
1
20
-
13
+
=
59
5+9
=
14
1+4
5
7
T
H
E
A
T
O
M
-
-
-
-
-
--
-
-
-
20
8
5
1
20
15
13
+
=
82
8+2
=
10
1+0
1
-
2
8
5
1
2
6
4
+
=
28
2+8
=
10
1+0
1
7
T
H
E
A
T
O
M
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
2
-
-
-
2
-
-
-
-
2
occurs
x
2
=
4
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
-
-
-
-
6
-
-
-
6
occurs
x
1
=
6
-
-
8
-
-
-
-
-
-
-
8
occurs
x
1
=
8
7
T
H
E
A
T
O
M
-
-
26
-
-
7
-
28
-
-
-
-
-
-
-
-
-
-
2+6
-
-
-
-
2+8
7
T
H
E
A
T
O
M
-
-
8
-
-
7
-
10
-
2
8
5
1
2
6
4
-
-
-
-
-
-
-
1+0
7
T
H
E
A
T
O
M
-
-
8
-
-
4
-
1

 

 

3
THE
33
15
6
6
ATOMIC
61
25
7
5
MINDS
59
23
5
1
I
9
9
9
15
Add to Reduce
162
72
27
1+5
Reduce to Deduce
1+6+2
7+2
2+7
8
Essence of Number
9
9
9

 

 

-
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
--
-
-
-
-
-
-
-
8
-
-
-
-
6
-
9
-
-
-
9
5
-
1
-
9
+
=
47
4+7
=
11
1+1
2
=
2
-
-
-
8
-
-
-
-
15
-
9
-
-
-
9
14
-
19
-
9
+
=
83
8+3
=
11
1+1
2
=
2
-
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
--
-
-
-
-
-
-
2
-
5
-
1
2
-
4
-
3
-
4
-
-
4
-
-
-
+
=
25
2+5
=
7
=
7
=
7
-
-
20
-
5
-
1
20
-
13
-
3
-
13
-
-
4
-
-
-
+
=
79
7+9
=
16
1+6
7
=
7
-
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
--
-
-
-
-
-
-
20
8
5
-
1
20
15
13
9
3
-
13
9
14
4
19
-
9
+
=
162
1+6+2
=
9
=
9
=
9
-
-
2
8
5
-
1
2
6
4
9
3
-
4
9
5
4
1
-
9
+
=
63
6+3
=
9
=
9
=
9
-
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
2
=
2
=
2
-
``-
2
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
-
4
-
-
-
4
-
-
4
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
6
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
7
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
38
-
-
15
-
63
-
36
-
1+5
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
9
-
-
3+8
-
-
1+5
-
6+3
-
3+6
7
6
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
11
-
-
6
-
9
-
9
-
-
2
8
5
-
1
2
6
3
9
3
-
3
9
5
4
1
-
9
-
-
1+1
-
-
-
-
-
-
-
7
6
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
2
-
-
6
-
9
-
9

 

 

5
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
--
-
-
-
-
-
-
8
-
-
-
-
6
-
9
-
-
-
9
5
-
1
-
9
+
=
47
4+7
=
11
1+1
2
=
2
-
-
8
-
-
-
-
15
-
9
-
-
-
9
14
-
19
-
9
+
=
83
8+3
=
11
1+1
2
=
2
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
--
-
-
-
-
-
2
-
5
-
1
2
-
4
-
3
-
4
-
-
4
-
-
-
+
=
25
2+5
=
7
=
7
=
7
-
20
-
5
-
1
20
-
13
-
3
-
13
-
-
4
-
-
-
+
=
79
7+9
=
16
1+6
7
=
7
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
--
-
-
-
-
-
20
8
5
-
1
20
15
13
9
3
-
13
9
14
4
19
-
9
+
=
162
1+6+2
=
9
=
9
=
9
-
2
8
5
-
1
2
6
4
9
3
-
4
9
5
4
1
-
9
+
=
63
6+3
=
9
=
9
=
9
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
2
=
2
=
2
``-
2
-
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
4
-
-
-
4
-
-
4
-
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
5
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
6
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
15
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
38
-
-
15
-
63
-
36
1+5
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
-
9
-
-
3+8
-
-
1+5
-
6+3
-
3+6
6
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
11
-
-
6
-
9
-
9
-
2
8
5
-
1
2
6
3
9
3
-
3
9
5
4
1
-
9
-
-
1+1
-
-
-
-
-
-
-
6
T
H
E
-
A
T
O
M
I
C
-
M
I
N
D
S
-
I
-
-
2
-
-
6
-
9
-
9

 

 

5
T
H
E
A
T
O
M
I
C
M
I
N
D
S
I
-
-
-
-
-
--
-
-
-
-
-
-
8
-
-
-
6
-
9
-
-
9
5
-
1
9
+
=
47
4+7
=
11
1+1
2
=
2
-
-
8
-
-
-
15
-
9
-
-
9
14
-
19
9
+
=
83
8+3
=
11
1+1
2
=
2
15
T
H
E
A
T
O
M
I
C
M
I
N
D
S
I
-
-
-
-
-
--
-
-
-
-
-
2
-
5
1
2
-
4
-
3
4
-
-
4
-
-
+
=
25
2+5
=
7
=
7
=
7
-
20
-
5
1
20
-
13
-
3
13
-
-
4
-
-
+
=
79
7+9
=
16
1+6
7
=
7
15
T
H
E
A
T
O
M
I
C
M
I
N
D
S
I
-
-
-
-
-
--
-
-
-
-
-
20
8
5
1
20
15
13
9
3
13
9
14
4
19
9
+
=
162
1+6+2
=
9
=
9
=
9
-
2
8
5
1
2
6
4
9
3
4
9
5
4
1
9
+
=
63
6+3
=
9
=
9
=
9
15
T
H
E
A
T
O
M
I
C
M
I
N
D
S
I
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
1
-
-
-
1
occurs
x
2
=
2
=
2
``-
2
-
-
-
2
-
-
-
-
-
-
-
-
-
-
-
-
2
occurs
x
2
=
4
=
4
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
4
-
-
4
-
-
4
-
-
-
-
4
occurs
x
3
=
12
1+2
3
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
-
6
-
-
8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
occurs
x
1
=
8
-
8
-
-
-
-
-
-
-
-
9
-
-
9
-
-
-
9
-
-
9
occurs
x
3
=
27
2+7
9
15
T
H
E
A
T
O
M
I
C
M
I
N
D
S
I
-
-
38
-
-
15
-
63
-
36
1+5
-
-
-
-
-
-
-
9
-
-
9
-
-
-
9
-
-
3+8
-
-
1+5
-
6+3
-
3+6
6
T
H
E
A
T
O
M
I
C
M
I
N
D
S
I
-
-
11
-
-
6
-
9
-
9
-
2
8
5
1
2
6
3
9
3
3
9
5
4
1
9
-
-
1+1
-
-
-
-
-
-
-
6
T
H
E
A
T
O
M
I
C
M
I
N
D
S
I
-
-
2
-
-
6
-
9
-
9

 

 

A
=
1
-
4
ATOM
49
13
4
C
=
3
-
4
CELL
32
14
5
S
-
4
4
8
Add to Reduce
81
27
9
-
-
-
-
-
Reduce to Deduce
8+1
2+7
-
-
-
4
-
8
Essence of Number
9
9
9

 

 

-
8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
+
=
6
-
=
6
=
6
=
6
-
-
-
-
15
-
-
-
-
-
-
+
=
15
1+5
=
6
=
6
=
6
-
8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
-
1
2
-
4
-
3
5
3
3
+
=
21
2+1
=
3
=
3
=
3
-
-
1
20
-
13
-
3
5
12
12
+
=
66
6+6
=
12
1+2
3
=
3
-
8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
-
1
20
15
13
--
3
5
12
12
+
=
81
8+1
=
9
=
9
=
9
-
-
1
2
6
4
-
3
5
3
3
+
=
27
2+7
=
9
=
9
=
9
-
8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
-
--
-
-
-
3
-
3
3
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
7
-
--
--
--
--
--
--
-
-
-
--
--
7
SEVEN
7
-
-
-
-
-
8
-
--
--
--
--
--
--
-
-
-
--
--
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
--
--
9
NINE
9
-
-
-
-
-
24
8
A
T
O
M
-
C
E
L
L
-
-
21
-
-
8
-
27
-
27
2+4
-
-
-
-
-
-
3
-
3
3
-
-
2+1
-
-
-
-
2+7
-
2+7
6
8
A
T
O
M
-
C
E
L
L
-
-
3
-
-
8
-
9
-
9
--
-
1
2
6
4
-
3
5
3
3
-
-
-
-
-
--
-
-
-
-
6
8
A
T
O
M
-
C
E
L
L
-
-
3
-
-
8
-
9
-
9

 

 

8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
-
-
6
-
-
-
-
-
-
+
=
6
-
=
6
=
6
=
6
-
-
-
15
-
-
-
-
-
-
+
=
15
1+5
=
6
=
6
=
6
8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
1
2
-
4
-
3
5
3
3
+
=
21
2+1
=
3
=
3
=
3
-
1
20
-
13
-
3
5
12
12
+
=
66
6+6
=
12
1+2
3
=
3
8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
1
20
15
13
--
3
5
12
12
+
=
81
8+1
=
9
=
9
=
9
-
1
2
6
4
-
3
5
3
3
+
=
27
2+7
=
9
=
9
=
9
8
A
T
O
M
-
C
E
L
L
-
-
-
-
-
--
-
-
-
-
-
1
-
-
-
-
-
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
2
-
-
-
-
-
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
--
-
-
-
3
-
3
3
-
-
3
occurs
x
3
=
9
=
9
-
-
-
-
4
-
-
-
-
-
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
-
-
-
5
-
-
-
-
5
occurs
x
1
=
5
=
5
-
-
-
6
-
-
-
-
-
-
-
-
6
occurs
x
1
=
6
=
6
8
A
T
O
M
-
C
E
L
L
-
-
21
-
-
8
-
27
-
27
-
-
-
-
-
-
-
-
-
-
-
-
2+1
-
-
-
-
2+7
-
2+7
8
A
T
O
M
-
C
E
L
L
-
-
3
-
-
8
-
9
-
9
-
1
2
6
4
-
3
5
3
3
-
-
-
-
-
--
-
-
-
-
8
A
T
O
M
-
C
E
L
L
-
-
3
-
-
8
-
9
-
9

 

 

-
4
C
E
L
L
-
-
-
-
-
--
-
-
-
`-
3
5
12
12
+
=
32
3+2
=
5
=
5
-
-
3
5
3
3
+
=
14
1+4
=
5
=
5
-
4
C
E
L
L
-
-
-
-
-
--
-
-
-
`-
3
5
12
12
+
=
32
3+2
=
5
=
5
-
-
3
5
3
3
+
=
14
1+4
=
5
=
5
-
4
C
E
L
L
T
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
1
ONE
1
-
-
-
-2-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
3
3
-
-
3
occurs
x
3
=
9
4
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
--
-
5
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
--
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
37
4
C
E
L
L
-
-
8
-
-
4
-
14
3+7
-
3
-
3
3
-
-
-
-
-
-
-
1+4
10
4
C
E
L
L
-
-
8
-
-
4
-
5
1+0
-
3
5
3
3
-
-
-
-
-
-
-
-
1
4
C
E
L
L
-
-
8
-
-
4
-
5

 

 

4
C
E
L
L
-
-
-
-
-
--
-
-
`-
3
5
12
12
+
=
32
3+2
=
5
=
5
-
3
5
3
3
+
=
14
1+4
=
5
=
5
4
C
E
L
L
-
-
-
-
-
--
-
-
`-
3
5
12
12
+
=
32
3+2
=
5
=
5
-
3
5
3
3
+
=
14
1+4
=
5
=
5
4
C
E
L
L
T
-
-
-
-
-
-
-
-
3
-
3
3
-
-
3
occurs
x
3
=
9
--
-
5
-
-
-
-
5
occurs
x
1
=
5
4
C
E
L
L
-
-
8
-
-
4
-
14
-
3
-
3
3
-
-
-
-
-
-
-
1+4
4
C
E
L
L
-
-
8
-
-
4
-
5
-
3
5
3
3
-
-
-
-
-
-
-
-
4
C
E
L
L
-
-
8
-
-
4
-
5

 

 

-
5
C
E
L
L
S
-
-
-
-
-
--
-
-
-
-
-
-
-
-
1
+
=
1
-
=
1
=
1
-
`-
-
-
-
-
19
+
=
19
1+9
=
10
1+0
1
-
5
C
E
L
L
S
-
-
-
-
-
--
-
-
-
-
3
5
3
3
-
+
=
14
1+4
=
5
=
5
-
`-
3
5
12
12
-
+
=
32
3+2
=
5
=
5
-
5
C
E
L
L
S
-
-
-
-
-
--
-
-
-
`-
3
5
12
12
19
+
=
51
5+1
=
6
=
6
-
-
3
5
3
3
1
+
=
15
1+5
=
6
=
6
-
5
C
E
L
L
S
T
-
-
-
-
-
-
-
--
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-2-
-
-
-
-
-
-
-
-
2
TWO
2
-
-
-
-
-
3
-
3
3
-
-
-
3
occurs
x
3
=
9
4
-
-
-
-
-
-
-
-
4
FOUR
4
-
-
-
-
--
-
5
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
--
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
-
9
NINE
9
-
-
-
36
5
C
E
L
L
S
-
-
9
-
-
5
-
15
3+6
-
3
-
3
3
-
-
-
-
-
-
-
-
1+5
9
5
C
E
L
L
S
-
-
9
-
-
5
-
6
-
-
3
5
3
3
1
-
-
-
-
-
-
-
-
9
5
C
E
L
L
S
-
-
9
-
-
5
-
6

 

 

5
C
E
L
L
S
-
-
-
-
-
--
-
-
-
-
-
-
-
1
+
=
1
-
=
1
=
1
`-
-
-
-
-
19
+
=
19
1+9
=
10
1+0
1
5
C
E
L
L
S
-
-
-
-
-
--
-
-
-
3
5
3
3
-
+
=
14
1+4
=
5
=
5
`-
3
5
12
12
-
+
=
32
3+2
=
5
=
5
5
C
E
L
L
S
-
-
-
-
-
--
-
-
`-
3
5
12
12
19
+
=
51
5+1
=
6
=
6
-
3
5
3
3
1
+
=
15
1+5
=
6
=
6
5
C
E
L
L
S
T
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
1
occurs
x
1
=
1
-
3
-
3
3
-
-
-
3
occurs
x
3
=
9
--
-
5
-
-
-
-
-
5
occurs
x
1
=
5
5
C
E
L
L
S
-
-
9
-
-
5
-
15
-
3
-
3
3
-
-
-
-
-
-
-
-
1+5
5
C
E
L
L
S
-
-
9
-
-
5
-
6
-
3
5
3
3
1
-
-
-
-
-
-
-
-
5
C
E
L
L
S
-
-
9
-
-
5
-
6

 

 

L
=
3
5
LIGHT
56
29
2
M
=
4
4
MIND
40
22
4
M
=
4
6
MATTER
77
23
5
D
=
4
4
DARK
34
16
7
-
-
15
19
First Total
207
90
18
-
-
1+5
1+9
Add to Reduce
2+0+7
9+0
1+8
Q
-
5
10
Second Total
9
9
9
-
-
-
1+0
Reduce to Deduce
-
-
-
-
-
5
1
Essence of Number
9
9
9

 

 

-
19
L
I
G
H
T
-
M
I
N
D
-
M
A
T
T
E
R
-
D
A
R
K
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
8
-
-
-
9
5
-
-
-
-
-
-
-
-
-
-
-
-
-
+
=
31
3+1
=
4
=
4
=
4
-
-
-
9
-
8
-
-
-
9
14
-
-
-
-
-
-
-
-
-
-
-
-
-
+
=
40
4+0
=
4
=
4
=
4
--
19
L
I
G
H
T
-
M
I
N
D
-
M
A
T
T
E
R
-
D
A
R
K
-
-
-
-
-
--
-
-
-
-
-
-
3
-
7
-
2
-
4
-
-
4
-
4
1
2
2
5
9
-
4
1
9
2
+
=
59
5+9
=
14
1+4
5
=
5
-
-
12
-
7
-
20
-
13
-
-
4
-
13
1
20
20
5
18
-
4
1
18
11
+
=
167
1+6+7
=
14
1+4
5
=
5
--
19
L
I
G
H
T
-
M
I
N
D
-
M
A
T
T
E
R
-
D
A
R
K
-
-
-
-
-
--
-
-
-
-
--
-
12
9
7
8
20
-
13
9
14
4
-
13
1
20
20
5
18
-
4
1
18
11
+
=
207
2+0+7
=
9
=
9
=
9
--
-
3
9
7
8
2
-
4
9
5
4
-
4
1
2
2
5
9
-
4
1
9
2
+
=
90
9+0
=
9
=
9
=
9
-
19
L
I
G
H
T
-
M
I
N
D
-
M
A
T
T
E
R
-
D
A
R
K
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
1
-
-
-
-
1
occurs
x
2
=
2
=
2
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
2
-
-
-
-
-
-
2
-
-
2
occurs
x
4
=
8
=
8
-
-
3
-
-
-
-
-
-
--
--
--
-
--
--
--
--
--
--
-
-
-
-
-
-
-
3
occurs
x
1
=
3
=
3
-
-
-
-
-
-
-
-
4
-
-
4
-
4
-
-
-
-
-
-
4
-
-
-
-
-
4
occurs
x
4
=
16
1+6
7
-
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
occurs
x
2
=
10
1+0
1
6
-
-
-
-
-
-
-
-
--
--
--
-
--
--
--
--
--
--
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
-
-
-
-
7
-
-
-
-
--
--
--
-
--
--
--
--
--
--
-
-
-
-
-
-
-
7
occurs
x
1
=
7
=
7
-
-
-
-
-
8
-
-
-
--
--
--
-
--
--
--
--
--
--
-
-
-
-
-
-
-
8
occurs
x
1
=
8
=
8
-
-
-
9
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
9
occurs
x
4
=
36
3+6
9
6
19
L
I
G
H
T
-
M
I
N
D
-
M
A
T
T
E
R
-
D
A
R
K
-
-
39
-
-
19
-
90
-
45
-
1+9
-
9
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
9
-
-
-
3+9
-
-
1+9
-
9+0
-
4+5
6
10
L
I
G
H
T
-
M
I
N
D
-
M
A
T
T
E
R
-
D
A
R
K
-
-
12
-
-
10
-
9
-
9
-
1+0
3
9
7
8
2
-
4
9
5
4
-
4
1
2
2
5
9
-
4
1
9
2
-
-
1+2
-
-
1+0
-
-
-
-
6
1
L
I
G
H
T
-
M
I
N
D
-
M
A
T
T
E
R
-
D
A
R
K
-
-
3
-
-
1
-
9
-
9

 

 

L
=
3
5
LIGHT
56
29
2
E
=
5
7
ELECTRO
78
33
6
M
=
4
8
MAGNETIC
72
36
9
R
=
9
9
RADIATION
91
46
1
-
-
21
29
First Total
297
144
18
-
-
2+1
2+9
Add to Reduce
2+9+7
1+4+4
1+8
Q
-
3
11
Second Total
18
9
9
-
-
-
1+1
Reduce to Deduce
1+8
-
-
-
-
3
2
Essence of Number
9
9
9

 

 

-
21
L
I
G
H
T
-
E
L
E
C
T
R
O
-
M
A
G
N
E
T
I
C
-
R
A
D
I
A
T
I
O
N
-
-
-
-
-
--
-
-
-
-
-
-
-
9
-
8
-
-
-
-
-
-
-
-
6
-
-
-
-
5
-
-
9
-
-
-
-
-
9
-
-
9
6
5
+
=
66
6+6
=
12
1+2
3
-
3
-
`-
-
9
-
8
-
-
-
-
-
-
-
-
15
-
-
-
-
14
-
-
9
-
-
-
-
-
9
-
-
9
15
14
+
=
102
1+0+2
=
3
-
3
-
3
-
21
L
I
G
H
T
-
E
L
E
C
T
R
O
-
M
A
G
N
E
T
I
C
-
R
A
D
I
A
T
I
O
N
-
-
-
-
-
--
-
-
-
-
-
-
3
-
7
-
2
-
5
3
5
3
2
9
-
-
4
1
7
-
5
2
-
3
-
9
1
4
-
1
2
-
-
-
+
=
78
7+8
=
15
1+2
6
-
6
-
`-
12
-
7
-
20
-
5
12
5
3
20
18
-
-
13
1
7
-
5
20
-
3
-
18
1
4
-
1
20
-
-
-
+
=
195
1+9+5
=
15
1+5
6
-
6
-
21
L
I
G
H
T
-
E
L
E
C
T
R
O
-
M
A
G
N
E
T
I
C
-
R
A
D
I
A
T
I
O
N
-
-
-
-
-
--
-
-
-
-
-
`-
12
9
7
8
20
-
5
12
5
3
20
18
15
-
13
1
7
14
5
20
9
3
-
18
1
4
9
1
20
9
15
14
+
=
297
2+9+7
=
18
1+8
9
-
9
-
-
3
9
7
8
2
-
5
3
5
3
2
9
6
-
4
1
7
5
5
2
9
3
-
9
1
4
9
1
2
9
6
5
+
=
144
1+4+4
=
9
-
9
-
9
-
21
L
I
G
H
T
-
E
L
E
C
T
R
O
-
M
A
G
N
E
T
I
C
-
R
A
D
I
A
T
I
O
N
-
-
-
-
-
--
-
-
-
-
1
-
1
-
-
-
-
-
-
1
1
-
-
-
1
-
-
1
1
-
-
-
-
-
-
-
1
-
-
1
-
-
1
-
-
-
1
occurs
x
3
=
3
-
3
2
-
-
4
-
-
2
-
-
-
-
-
2
-
-
-
-
-
-
4
-
2
-
-
-
-
-
-
-
-
2
-
-
4
-
-
2
occurs
x
4
=
8
-
8
3
-
3
-
-
-
-
-
-
3
-
3
-
-
-
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
-
-
-
-
3
occurs
x
4
=
12
-
3
4
-
-
4
-
-
-
-
-
-
-
-
-
-
-
-
4
-
-
4
-
-
-
-
-
-
-
4
-
-
-
-
-
4
-
-
4
occurs
x
2
=
8
-
8
5
-
-
-
-
5
-
-
5
-
5
5
-
-
-
-
-
-
-
5
5
5
-
5
-
-
-
-
-
-
5
-
-
5
-
-
5
occurs
x
5
=
25
2+5
7
6
-
-
-
3
-
2
-
-
-
-
-
-
-
6
-
-
-
-
-
3
-
2
-
-
-
-
-
2
-
-
2
6
-
-
-
6
occurs
x
2
=
12
1+2
3
7
-
-
-
7
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
3
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
occurs
x
2
=
14
1+4
5
8
-
-
-
3
8
2
-
-
-
-
-
-
-
-
-
-
-
-
-
3
-
2
-
-
-
-
-
2
-
-
2
-
-
-
-
8
occurs
x
1
=
8
-
8
9
-
-
9
-
-
-
-
9
-
-
-
9
9
-
-
9
-
-
-
-
-
9
-
-
9
-
-
9
-
-
9
-
-
-
-
9
occurs
x
6
=
54
5+4
9
45
21
L
I
G
H
T
-
E
L
E
C
T
R
O
-
M
A
G
N
E
T
I
C
-
R
A
D
I
A
T
I
O
N
-
-
45
-
-
21
-
144
-
54
4+5
2+1
-
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
9
-
-
9
-
-
9
-
-
-
-
4+5
-
-
2+1
-
1+4+4
-
5+4
9
3
L
I
G
H
T
-
E
L
E
C
T
R
O
-
M
A
G
N
E
T
I
C
-
R
A
D
I
A
T
I
O
N
-
-
9
-
-
3
-
9
-
9
-
-
3
9
7
8
2
-
5
3
5
3
2
9
6
-
4
1
7
5
5
2
9
3
-
9
1
4
9
1
2
9
6
5
-
-
-
-
-
-
-
-
-
-
9
3
L
I
G
H
T
-
E
L
E
C
T
R
O
-
M
A
G
N
E
T
I
C
-
R
A
D
I
A
T
I
O
N
-
-
9
-
-
3
-
9
-
9

 

 

 

 

 
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